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Concept
Götterdämmerung
Summary
Götterdämmerung (ˈɡœtɐˌdɛməʁʊŋ; Twilight of the Gods), WWV 86D, is the last in Richard Wagner's cycle of four music dramas titled Der Ring des Nibelungen (The Ring of the Nibelung, or The Ring Cycle or The Ring for short). It received its premiere at the Bayreuth Festspielhaus on 17 August 1876, as part of the first complete performance of the whole work.
The title is a translation into German of the Old Norse phrase Ragnarök, which in Norse mythology refers to a prophesied war among various beings and gods that ultimately results in the burning, immersion in water, and renewal of the world. As with the rest of the Ring, however, Wagner's account diverges significantly from these Old Norse sources.
Der Ring des Nibelungen: composition of the textDer Ring des Nibelungen: composition of the text and Der Ring des Nibelungen: composition of the musicDer Ring des Nibelungen: composition of the music
Prelude to the Prologue
The three Norns, daughters of Erda, the goddess of Nature, gather beside Brünnhilde's rock, weaving the Rope of Destiny. From it they read of the past, the present, and of the future when Walhalla will be set on fire and the end of the gods will come ("Welch' Licht leuchtet dort?"). As their narration approaches the point when they want to sing about the fate of Alberich's ring and its curse and as the themes of Siegfried and the Curse of the ring are heard, the rope breaks. Lamenting the loss of their wisdom, the Norns disappear, returning to their mother Erda beneath the earth ("Zu End' ewiges Wissen!").
Orchestral Interlude - Tagesgrauen (Dawn)
As day breaks, Siegfried and Brünnhilde emerge from their dwelling high on a mountaintop surrounded by magic fire ("Zu neuen Thaten, theurer Helde"). Brünnhilde sends Siegfried off to new heroic deeds, urging him to keep their love in mind. Siegfried proclaims himself to be simply an executor of her will, and as a pledge of his fidelity he gives her the ring of power that he took from Fafner's hoard.
Official source
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