Sympathetic magic

Sympathetic magic, also known as imitative magic, is a type of magic based on imitation or correspondence. James George Frazer coined the term "sympathetic magic" in The Golden Bough (1889); Richard Andree, however, anticipated Frazer, writing of sympathy-enchantment (Sympathie-Zauber) in his 1878 Ethnographische Parallelen und Vergleiche. Frazer subcategorised sympathetic magic into two varieties: that relying on similarity, and that relying on contact or "contagion": If we analyze the principles of thought on which magic is based, they will probably be found to resolve themselves into two: first, that like produces like, or that an effect resembles its cause; and, second, that things which have once been in contact with each other continue to act on each other at a distance after the physical contact has been severed. The former principle may be called the Law of Similarity, the latter the Law of Contact or Contagion. From the first of these principles, namely the Law of Similarity, the magician infers that he can produce any effect he desires merely by imitating it: from the second he infers that whatever he does to a material object will affect equally the person with whom the object was once in contact, whether it formed part of his body or not. Imitation involves using effigies, fetishes or poppets to affect the environment of people, or people themselves. Voodoo dolls are an example of fetishes used in this way: the practitioner uses a lock of hair on the doll to create a link (also known as a "taglock") between the doll and the donor of this lock of hair. In this way, that which happens to the doll will also happen to the person. Correspondence is based on the idea that one can influence something based on its relationship or resemblance to another thing. Many popular beliefs regarding properties of plants, fruits and vegetables have evolved in the folk-medicine of different societies owing to sympathetic magic.