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Concept
H. R. Giger
Summary
Hans Ruedi Giger (ˈɡiːɡər ; ˈɡiːɡər; 5 February 1940 – 12 May 2014) was a Swiss artist best known for his airbrushed images that blended human physiques with machines, an art style known as "biomechanical". Giger later abandoned airbrush for pastels, markers and ink. He was part of the special effects team that won an Academy Award for the visual design of Ridley Scott's 1979 sci-fi horror film Alien, and was responsible for creating the titular Alien itself. His work is on permanent display at the H.R. Giger Museum in Gruyères, Switzerland. His style has been adapted to many forms of media, including album covers, furniture, tattoos and video games.
Giger was born in 1940 in Chur, the capital city of Graubünden, the largest and easternmost Swiss canton. His father, a pharmacist, viewed art as a "breadless profession" and strongly encouraged him to enter pharmacy. He moved to Zürich in 1962, where he studied architecture and industrial design at the School of Applied Arts until 1970.
Giger's first success was when H. H. Kunz, co-owner of Switzerland's first poster publishing company, printed and distributed Giger's first posters, beginning in 1969.
Giger's style and thematic execution were influential. He was part of the special effects team that won an Academy Award for Best Achievement in Visual Effects for their design work on the film Alien. His design for the Alien was inspired by his painting Necronom IV and earned him an Oscar in 1980. His books of paintings, particularly Necronomicon and Necronomicon II (1985) and the frequent appearance of his art in Omni magazine contributed to his rise to international prominence. Giger was admitted to the Science Fiction and Fantasy Hall of Fame in 2013. He is also well known for artwork on several music recording albums including Danzig III: How The Gods Kill by Danzig, Brain Salad Surgery by Emerson, Lake & Palmer, Attahk by Magma, Heartwork by Carcass, To Mega Therion by Celtic Frost, Eparistera Daimones and Melana Chasmata by Triptykon, Deborah Harry's KooKoo, "Atomic Playboys" by Steve Stevens and Frankenchrist, by the Dead Kennedys.
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