Humphrey Bogart

Humphrey DeForest Bogart (ˈboʊgɑrt; December 25, 1899 – January 14, 1957), colloquially nicknamed Bogie, was an American film and stage actor. His performances in classic Hollywood cinema films made him an American cultural icon. In 1999, the American Film Institute selected Bogart as the greatest male star of classic American cinema. Bogart began acting in Broadway shows, beginning his career in motion pictures with Up the River (1930) for 20th Century Fox, and appeared in supporting roles for the next decade, regularly portraying gangsters. He was praised for his work as Duke Mantee in The Petrified Forest (1936), but remained cast secondary to other actors at Warner Bros. who received leading roles. Bogart also received positive reviews for his performance as gangster Hugh "Baby Face" Martin, in Dead End (1937), directed by William Wyler. His breakthrough from supporting roles to stardom was set in motion with High Sierra (1941) and catapulted in The Maltese Falcon (1941), considered one of the first great noir films. Bogart's private detectives, Sam Spade (in The Maltese Falcon) and Philip Marlowe (in 1946's The Big Sleep), became the models for detectives in other noir films. His most significant romantic lead role was with Ingrid Bergman in Casablanca (1942), which earned him his first nomination for the Academy Award for Best Actor. 44-year-old Bogart and 19-year-old Lauren Bacall fell in love during filming of To Have and Have Not (1944). In 1945, a few months after principal photography for The Big Sleep, their second film together, he divorced his third wife and married Bacall. After their marriage, they played each other's love interest in the mystery thrillers Dark Passage (1947) and Key Largo (1948). Raymond Chandler, in a 1946 letter, wrote that "Like Edward G. Robinson when he was younger, all he has to do to dominate a scene is to enter it." Bogart's performances in The Treasure of the Sierra Madre (1948) and In a Lonely Place (1950) are now considered among his best, although they were not recognized as such when the films were released.

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Related concepts (26)

Humphrey Bogart

Cinema of the United States

The cinema of the United States, consisting mainly of major film studios (also known metonymously as Hollywood) along with some independent films, has had a large effect on the global film industry since the early 20th century. The dominant style of American cinema is classical Hollywood cinema, which developed from 1910 to 1962 and is still typical of most films made there to this day. While Frenchmen Auguste and Louis Lumière are generally credited with the birth of modern cinema, American cinema soon came to be a dominant force in the emerging industry.

James Cagney

James Francis Cagney Jr. (ˈkæɡni; July 17, 1899 March 30, 1986) was an American actor, dancer and film director. On stage and in film, he was known for his consistently energetic performances, distinctive vocal style, and deadpan comic timing. He won acclaim and major awards for a wide variety of performances. Cagney is remembered for playing multifaceted tough guys in films such as The Public Enemy (1931), Taxi! (1932), Angels with Dirty Faces (1938), The Roaring Twenties (1939), City for Conquest (1940) and White Heat (1949), finding himself typecast or limited by this reputation earlier in his career.