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Geoff Emerick
Summary
Geoffrey Ernest Emerick (5 December 1945 – 2 October 2018) was an English sound engineer and record producer who worked with the Beatles on their albums Revolver (1966), Sgt. Pepper's Lonely Hearts Club Band (1967) and Abbey Road (1969). Beatles producer George Martin credited him with bringing "a new kind of mind to the recordings, always suggesting sonic ideas, different kinds of reverb, what we could do with the voices".
Emerick also engineered the Zombies' Odessey and Oracle (1968), Paul McCartney and Wings' Band on the Run (1973) and produced Elvis Costello's Imperial Bedroom (1982), among many others. He won four Grammy Awards for his work in the music recording field. His 2006 memoir Here, There and Everywhere: My Life Recording the Music of the Beatles caused controversy for its factual errors. In 2018, Emerick died from a heart attack at the age of 72 in Los Angeles, California.
Geoff Emerick was brought up in Crouch End in north London and educated at Crouch End secondary modern school. One of his teachers there heard about a job at EMI and suggested he apply. At age 16, he was employed as an assistant engineer. On 4 September 1962, his second day at work, the Beatles came to EMI Studios (now Abbey Road Studios) to carry out their second recording session for the company. To familiarise Emerick with his work, he was placed under the supervision of another assistant engineer, Richard Langham, assistant to recording engineer Norman Smith, who would be working on the session. As a new recruit, Emerick was not entitled to receive overtime pay, but he was fortunate enough to witness the Beatles recording for the first time with their new drummer, Ringo Starr, on what became the band's debut hit single, "Love Me Do".
Recording practices of the Beatles
Emerick worked as an assistant engineer to Smith on several of the Beatles' early recordings, including "She Loves You" and "I Want to Hold Your Hand". From early in 1964, his involvement with the band was limited due to his training program at EMI, as he progressed to lacquer cutter, mastering engineer and then balance (or recording) engineer.
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