Iambic pentameter (aɪˌæmbɪk_pɛnˈtæmɪtər ) is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in that line; rhythm is measured in small groups of syllables called "feet". "Iambic" refers to the type of foot used, here the iamb, which in English indicates an unstressed syllable followed by a stressed syllable (as in a-bove). "Pentameter" indicates a line of five "feet".
Iambic pentameter is the most common meter in English poetry. It was first introduced into English by Chaucer in 14th century on the basis of French and Italian models. It is used in several major English poetic forms, including blank verse, the heroic couplet, and some of the traditionally rhymed stanza forms. William Shakespeare famously used iambic pentameter in his plays and sonnets, John Milton in his Paradise Lost, and William Wordsworth in The Prelude.
As lines in iambic pentameter usually contain ten syllables, it is considered a form of decasyllabic verse.
An iambic foot is an unstressed syllable followed by a stressed syllable. The rhythm can be written as:
da DUM
The da-DUM of a human heartbeat is a common example of this rhythm.
A standard line of iambic pentameter is five iambic feet in a row:
da DUM da DUM da DUM da DUM da DUM
Straightforward examples of this rhythm can be heard in the opening line of William Shakespeare's Sonnet 12:
When I do count the clock that tells the time
and in John Keats' ode To Autumn:
To swell the gourd, and plump the hazel shells
It is possible to notate this with a "/" marking ictic syllables (experienced as beats) and a "×" marking nonictic syllables (experienced as offbeats). In this notation a standard line of iambic pentameter would look like this:
× / × / × / × / × /
The scansion of the examples above can be notated as follows:
× / × / × / × / × /
When I do count the clock that tells the time
× / × / × / × / × /
To swell the gourd, and plump the hazel shells
The term "iamb" originally applied to the quantitative meter of classical poetry.
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Pentameter (πεντάμετρος, 'measuring five (feet)') is a poetic meter. А poem is said to be written in a particular pentameter when the lines of the poem have the length of five feet, where a 'foot' is a combination of a particular number (1 or 2) of unstressed (or weak) syllables and a stressed (or strong) syllable. Depending on the pattern of feet, pentameter can be iambic (one of three two-syllable meters alongside trochaic and spondaic) or dactylic (one of two three-syllable meters alongside anapestic).
Terza rima (ˌtɛərtsə_ˈriːmə, also USˌtəːr-, ˈtɛrtsa ˈriːma; third rhyme) is a rhyming verse form, in which the poem, or each poem-section, consists of tercets (three-line stanzas) with an interlocking three-line rhyme scheme: The last word of the second line in one tercet provides the rhyme for the first and third lines in the tercet that follows (aba bcb cdc). The poem or poem-section may have any number of lines, but it ends with either a single line or a couplet, which repeats the rhyme of the middle line of the previous tercet (yzy z or yzy zz).
Ottava rima is a rhyming stanza form of Italian origin. Originally used for long poems on heroic themes, it later came to be popular in the writing of mock-heroic works. Its earliest known use is in the writings of Giovanni Boccaccio. The ottava rima stanza in English consists of eight iambic lines, usually iambic pentameters. Each stanza consists of three alternate rhymes and one double rhyme, following the ABABABCC rhyme scheme. The form is similar to the older Sicilian octave, but evolved separately and is unrelated.