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Concept
Harry Clarke
Summary
Henry Patrick Clarke RHA (17 March 1889 – 6 January 1931) was an Irish stained-glass artist and book illustrator. Born in Dublin, he was a leading figure in the Irish Arts and Crafts Movement.
His work was influenced by both the Art Nouveau and Art Deco movements. His stained glass was particularly informed by the French Symbolist movement.
Henry Patrick Clarke was born 17 March 1889, younger son and third child of Joshua Clarke and Brigid (née MacGonigal) Clarke. Joshua Clarke was a church decorator who moved to Dublin from Leeds in 1877 and started a decorating business, Joshua Clarke & Sons, which later incorporated a stained glass division. Through his work with his father, Clarke was exposed to many schools of art but Art Nouveau in particular.
Clarke was educated at the Model School in Marlborough Street, Dublin and Belvedere College, which he left in 1905. He was devastated by the death of his mother in 1903, when he was only 14 years old. Clarke was then apprenticed into his father's studio, and attended evening classes in the Metropolitan College of Art and Design. His The Consecration of St Mel, Bishop of Longford, by St Patrick won the gold medal for stained glass work in the 1910 Board of Education National Competition.
At the art school in Dublin, Clarke met fellow artist and teacher, Margaret Crilley. They married on 31 October 1914 and moved into a flat at 33 North Frederick Street. In subsequent years the Clarkes lived in various locations in Dublin, including a semi-detached house in Cabra in which Margaret Clarke painted her husband at work. The Clarkes had three children, Michael, David, and Ann.
Clarke briefly moved to London to seek work as a book illustrator. Picked up by London publisher Harrap, he started with two commissions which were never completed: Samuel Taylor Coleridge's The Rime of the Ancient Mariner (much of his work on which was destroyed during the 1916 Easter Rising) and an illustrated edition of Alexander Pope's The Rape of the Lock.
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