Chinese mythology () is mythology that has been passed down in oral form or recorded in literature in the geographic area now known as Greater China. Chinese mythology includes many varied myths from regional and cultural traditions.
Much of the mythology involves exciting stories full of fantastic people and beings, the use of magical powers, often taking place in an exotic mythological place or time. Like many mythologies, Chinese mythology has in the past been believed to be, at least in part, a factual recording of history. Along with Chinese folklore, Chinese mythology forms an important part of Chinese folk religion. Many stories regarding characters and events of the distant past have a double tradition: ones which present a more historicized or euhemerized version and ones which present a more mythological version.
Many myths involve the creation and cosmology of the universe and its deities and inhabitants. Some mythology involves creation myths, the origin of things, people and culture. Some involve the origin of the Chinese state. Some myths present a chronology of prehistoric times, many of these involve a culture hero who taught people how to build houses, or cook, or writing, or was the ancestor of an ethnic group or dynastic family. Mythology is intimately related to the traditional Chinese concept's of Li (禮) and Qi(氣), Many myths are oral associations and traditions with these two foundational concepts underpinning socially orientated ritual acts, such as communication, greetings, dances, ceremonies, and sacrifices.
There has been extensive interaction between Chinese mythology and Confucianism, Taoism, and Buddhism. Elements of pre-Han dynasty mythology such as those in Classic of Mountains and Seas were adapted into these belief systems as they developed (in the case of Taoism), or were assimilated into Chinese culture (in the case of Buddhism). Elements from the teachings and beliefs of these systems became incorporated into Chinese mythology.
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Chinese folk religion, also known as Chinese popular religion, comprehends a range of traditional religious practices of Han Chinese, including the Chinese diaspora. Vivienne Wee described it as "an empty bowl, which can variously be filled with the contents of institutionalised religions such as Buddhism, Taoism, Confucianism and Chinese syncretic religions”. This includes the veneration of shen (spirits) and ancestors, exorcism of demonic forces, and a belief in the rational order of nature, balance in the universe and reality that can be influenced by human beings and their rulers, as well as spirits and deities.
The Chinese dragon, also known as the loong, long or lung ( / 龙), is a legendary creature in Chinese mythology, Chinese folklore, and Chinese culture at large. Chinese dragons have many animal-like forms such as turtles and fish, but are most commonly depicted as snake-like with four legs. Academicians have identified four reliable theories on the origin of the Chinese dragon: snakes, Chinese alligators, thunder worship and nature worship. They traditionally symbolize potent and auspicious powers, particularly control over water.
The Yellow Emperor, also known as the Yellow Thearch or by his Chinese name Huangdi (ˈhwɑːŋ_ˈdiː), is either an individual deity (shen) in Chinese religion, one of the legendary Chinese sovereigns and cultural heroes included among the mytho-historical Three Sovereigns and Five Emperors, or a part of the Five Regions' Highest Deities (). Calculated by Jesuit missionaries, who based their work on various Chinese chronicles, and later accepted by the twentieth-century promoters of a universal calendar starting with the Yellow Emperor, Huangdi's traditional reign dates are 2697–2597 or 2698–2598 BC.
In the last few years, narratives and imaginaries about maker cultures as well as makerspaces have been flourishing in Chinese cities. With its fast-changing pace, the global maker movement expresses unique features in China and integrates aspects of grass ...
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Recent policies such as “made in China 2025” or “mass makerspaces” implemented by the Chinese government aim to transform China’s image from “the world’s factory to a creative powerhouse” to be recognized as an “innovation-oriented nation” (Wang 2016). Thi ...