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Concept
Kabuki
Summary
Kabuki is a classical form of Japanese theatre, mixing dramatic performance with traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes, and for the elaborate kumadori make-up worn by some of its performers.
Kabuki is thought to have originated in the early Edo period, when the art's founder, Izumo no Okuni, formed a female dance troupe that performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century.
In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity.
The individual kanji that make up the word kabuki can be read as 'sing', 'dance', and 'skill'. Kabuki is therefore sometimes translated as 'the art of singing and dancing'. These are, however, ateji characters which do not reflect actual etymology. The kanji of 'skill' generally refers to a performer in kabuki theatre.
Since the word kabuki is believed to derive from the verb kabuku, meaning 'to lean' or 'to be out of the ordinary', the word kabuki can also be interpreted as 'avant-garde' or 'bizarre' theatre. The expression 歌舞伎者 referred originally to those who were bizarrely dressed. It is often translated into English as 'strange things' or 'the crazy ones', and referred to the style of dress worn by gangs of samurai.
The history of kabuki began in 1603 when Izumo no Okuni, possibly a miko of Izumo-taisha, began performing with a troupe of female dancers a new style of dance drama, on a makeshift stage in the dry bed of the Kamo River in Kyoto, at the very beginning of the Edo period, and Japan's rule by the Tokugawa shogunate, enforced by Tokugawa Ieyasu.
Official source
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