Concept

Leon Battista Alberti

Summary
Leon Battista Alberti (leˈom batˈtista alˈbɛrti; 14 February 1404 – 25 April 1472) was an Italian Renaissance humanist author, artist, architect, poet, priest, linguist, philosopher, and cryptographer; he epitomised the nature of those identified now as polymaths. He is considered the founder of Western cryptography, a claim he shares with Johannes Trithemius. He is often considered primarily an architect. However, as James Beck has observed, "to single out one of Leon Battista's 'fields' over others as somehow functionally independent and self-sufficient is of no help at all to any effort to characterize Alberti's extensive explorations in the fine arts". Although Alberti is known mostly as an artist, he was also a mathematician: he made significant contributions to this field. Among the most famous buildings he designed are the churches of San Sebastiano (1460) and Sant'Andrea (1472), both in Mantua. Alberti's life was told in Giorgio Vasari's Lives of the Most Excellent Painters, Sculptors, and Architects. Leon Battista Alberti was born in 1404 in Genoa. His mother was Bianca Fieschi. His father, Benedetto Alberti, was a wealthy Florentine who had been exiled from his own city, but allowed to return in 1428. Alberti was sent to boarding school in Padua, then studied law at Bologna. He lived for a time in Florence, then in 1431 travelled to Rome, where he took holy orders and entered the service of the papal court. During this time he studied the ancient ruins, which excited his interest in architecture and strongly influenced the form of the buildings that he designed. Leon Battista Alberti was gifted in many ways. He was tall, strong, and a fine athlete who could ride the wildest horse and jump over a person's head. He distinguished himself as a writer while still a child at school, and by the age of twenty had written a play that was successfully passed off as a genuine piece of Classical literature. In 1435 he began his first major written work, Della pittura, which was inspired by the burgeoning pictorial art in Florence in the early fifteenth century.
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