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Concept
Revivalism (architecture)
Summary
Architectural revivalism is the use of elements that echo the style of a previous architectural era that have or had fallen into disuse or abeyance between their heyday and period of revival. Revivalism, in a narrower sense, refers to the period of- and movement within- Western architectural history during which a succession of antecedent and remenescent styles were taken to by architects, roughly from the late 18th century, and which was itself succeeded by Modernism. Notable revival styles include Neoclassical architecture (a revival of Classical architecture), and Gothic Revival (a revival of Gothic architecture). Revivalism is related to historicism.
Western architecture of the 19th century, including Victorian architecture, is an example of Revivalism.
The idea that architecture might represent the glory of kingdoms can be traced to the dawn of civilisation, but the notion that architecture can bear the stamp of national character is a modern idea, that appeared in the historical and philosophical writing of the 18th century and was given political currency in the wake of the French Revolution. As the map of Europe was repeatedly changing, architecture was used to grant the aura of a glorious past to even the most recent of nations. In addition to the credo of universal Classicism, two new, and often contradictory, attitudes on historical styles existed in the early 19th century. Pluralism promoted the simultaneous use of the expanded range of style, while Revivalism held that a single historical model was appropriate for modern architecture. Associations between styles and building types appeared, for example: Egyptian for prisons, Gothic for churches, or Renaissance Revival for banks and exchanges. These choices were the result of other associations: the pharaohs with death and eternity, the Middle Ages with Christianity, or the Medici family with the rise of banking and modern commerce.
Whether their choice was Classical, medieval, or Renaissance, all Revivalists shared the strategy of advocating a particular style based on national history, one of the great enterprises of historians in the early 19th century.
Official source
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