The Arch of Titus (Arco di Tito; Arcus Titi) is a 1st-century AD honorific arch, located on the Via Sacra, Rome, just to the south-east of the Roman Forum. It was constructed in AD 81 by the Emperor Domitian shortly after the death of his older brother Titus to commemorate Titus's official deification or consecratio and the victory of Titus together with their father, Vespasian, over the Jewish rebellion in Judaea.
The arch contains panels depicting the triumphal procession celebrated in AD 71 after the Roman victory culminating in the fall of Jerusalem, and provides one of the few contemporary depictions of artifacts from Herod's Temple. Although the panels are not explicitly stated as illustrating this event, they closely parallel the narrative of the Roman procession described a decade prior in Josephus' The Jewish War.
It became a symbol of the Jewish diaspora, and the menorah depicted on the arch served as the model for the menorah used as the emblem of the state of Israel.
The arch has provided the general model for many triumphal arches erected since the 16th century. It is the inspiration for the Arc de Triomphe in Paris. It holds an important place in art history, being the focus of Franz Wickhoff's
appreciation of Roman art in contrast to the then-prevailing view.
Based on the style of sculptural details, Domitian's favored architect Rabirius, sometimes credited with the Colosseum, may have executed the arch. Without contemporary documentation, however, attributions of Roman buildings on basis of style are considered shaky. The brother and successor of Titus built the arch, despite being described as hateful towards Titus by Cassius Dio.
The medieval Latin travel guide Mirabilia Urbis Romae noted the monument, writing: "the arch of the Seven Lamps of Titus and Vespasian; [where Moses' candlestick is having seven branches, with the Ark, at the foot of the Cartulary Tower"].
During the Middle Ages, the Frangipani family added a second story to the vault, converting it into a fortified tower; beam holes from the construction remain in the panels.
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Reflecting on his 1972 film ROMA, Federico Fellini spoke of the city of Rome as the most wonderful movie set in the world. Deriving from the character of the city itself, the movie is indeed an assemblage of wishes, dreams, visions and memories that are co ...