Jean Malouel, or Jan Maelwael in his native Dutch, ( 1365 – 1415) was a Dutch artist who was the court painter of Philip the Bold, Duke of Burgundy and his successor John the Fearless, working in the International Gothic style. He was presumably born in the old Ottonian city of Nijmegen, then in the Duchy of Guelders, which was incorporated in the modern Netherlands in 1543 after the definitive victory of the Dukes of Burgundy in a serie of conflicts knows as the Guelders Wars. He probably trained there in the workshop of his father, the artist Willem Maelwael (his uncle was also an artist), and is recorded as an artist in 1382. He was the uncle of the famous manuscript illuminators, the three Limbourg brothers, whom he introduced to Philip's service around 1400. Malouel also worked as an illuminator, but seems mostly to have produced larger works. Malouel is recorded as working in Paris painting armorial decorations on cloth (probably for banners) for Isabelle of Bavaria, Queen of France, in 1396–97, but by August 1397 he was in Dijon, the capital of the Duchy of Burgundy, where he succeeded Jean de Beaumetz (d. 1396) to the position of court painter to Philip the Bold, with the rank of valet de chambre. He retained these positions until his death, with a salary higher than that of Beaumetz or the sculptor Claus Sluter, and lived in Dijon. In 1405, soon after the death of Philip, he returned to Nijmegen to marry Heilwig van Redinchaven, bringing her back to Dijon. Another visit of over two months was recorded in 1413. In 1415 he died in Dijon, leaving Heilwig and four children. She received a pension from the Duke, and returned to Nijmegen, where she became involved in lengthy litigation over Malouel's estate there. Among a number of other commissions, many for decorative painting in the palaces, Malouel is recorded as receiving in 1398 the wood for five altarpiece panels for the Chartreuse of Champmol, Philip's new dynastic burial place near Dijon, as well as painting the Well of Moses there, sculpted by Claus Sluter, the base of which survives with some of its colouring.