Genre fiction, also known as formula fiction or popular fiction, is a term used in the book-trade for fictional works written with the intent of fitting into a specific literary genre in order to appeal to readers and fans already familiar with that genre.
A number of major literary figures have written genre fiction. John Banville publishes crime novels as Benjamin Black, and both Doris Lessing and Margaret Atwood have written science fiction. Georges Simenon, the creator of the Maigret detective novels, has been described by André Gide as "the most novelistic of novelists in French literature".
The main genres are crime, fantasy, romance, science fiction and horror—as well as perhaps Western, inspirational and historical fiction.
Slipstream genre is sometimes located in between the genre and non-genre fictions.
In the publishing industry the term "category fiction" is often used as a synonym for genre fiction, with the categories serving as the familiar shelf headings within the fiction section of a bookstore, such as Western or mystery.
Some authors known for literary fiction have written genre novels under pseudonyms, while others have employed genre elements in literary fiction.
Romance fiction had an estimated 1.375billionshareintheUSbookmarketin2007.Religion/inspirationalliteraturefollowedwith819 million, science fiction/fantasy with 700million,mysterywith650 million and classic literary fiction with $466 million.
History of fantasy and History of science fiction
Genre began as a classification system for ancient Greek literature. Poetry, prose, and drama had specific calculated styles that related to the theme of the story. Among the genres were the epic in poetry and tragedy and comedy for plays. In later periods other genres such as the chivalric romance, opera, and prose fiction developed.
Though the novel is often seen as a modern genre – Ian Watt, in The Rise of the Novel (1957) suggests that the novel first came into being in the early 18th century – it has also been described as possessing "a continuous and comprehensive history of about two thousand years", from the time of both Classical Greece and Rome.
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L'objectif de ce cours est d'étudier les différentes manifestations des mondes totalitaires dans la fiction. Plus précisément, nous regarderons comment les écrivains racontent l'aliénation de l'homme
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Dame Edith Ngaio Marsh (ˈnaɪoʊ; 23 April 1895 – 18 February 1982) was a New Zealand mystery writer and theatre director. She was appointed a Dame Commander of the Order of the British Empire in 1966. As a crime writer during the "Golden Age of Detective Fiction", Marsh is known as one of the "Queens of Crime", along with Agatha Christie, Dorothy L. Sayers, and Margery Allingham. She is known primarily for her character Inspector Roderick Alleyn, a gentleman detective who works for the Metropolitan Police (London).
Mystery is a fiction genre where the nature of an event, usually a murder or other crime, remains mysterious until the end of the story. Often within a closed circle of suspects, each suspect is usually provided with a credible motive and a reasonable opportunity for committing the crime. The central character is often a detective (such as Sherlock Holmes), who eventually solves the mystery by logical deduction from facts presented to the reader. Some mystery books are non-fiction.
A novel is a relatively long work of narrative fiction, typically written in prose and published as a book. The English word to describe such a work derives from the novella for "new", "news", or "short story of something new", itself from the novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, in Chivalric romance, and in the tradition of the Italian Renaissance novella.
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In her book "State Fiction" Denise Bertschi looks at how Switzerland's neutral mission in the Korean demilitarized zone contributed to the construction of the Swiss “neutral” national identity. Offering new perspectives in terms of geopolitical, military, ...
Edition Centre de la Photographie Genève2021
Under the title "State Fiction" (2014–2021) the artist's long-term research focusses on the zone that divides the two Koreas, a locus of congealed international Cold War interests and a source of improbable images. After an internationally brokered armisti ...