A class-D amplifier or switching amplifier is an electronic amplifier in which the amplifying devices (transistors, usually MOSFETs) operate as electronic switches, and not as linear gain devices as in other amplifiers. They operate by rapidly switching back and forth between the supply rails, using pulse-width modulation, pulse-density modulation, or related techniques to produce a pulse train output. This passes through a simple low-pass filter which blocks the high-frequency pulses and provides analog output current and voltage. Because they are always either in fully on or fully off modes, little energy is dissipated in the transistors and efficiency can exceed 90%.
The first Class-D amplifier was invented by British scientist Alec Reeves in the 1950s and was first called by that name in 1955. The first commercial product was a kit module called the X-10 released by Sinclair Radionics in 1964. However, it had an output power of only 2.5 watts. The Sinclair X-20 in 1966 produced 20 watts but suffered from the inconsistencies and limitations of the germanium-based bipolar junction transistors available at the time. As a result, these early class-D amplifiers were impractical and unsuccessful. Practical class-D amplifiers were enabled by the development of silicon-based MOSFET (metal–oxide–semiconductor field-effect transistor) technology. In 1978, Sony introduced the TA-N88, the first class-D unit to employ power MOSFETs and a switched-mode power supply. There were subsequently rapid developments in MOSFET technology between 1979 and 1985. The availability of low-cost, fast-switching MOSFETs led to Class-D amplifiers becoming successful in the mid-1980s. The first class-D amplifier based integrated circuit was released by Tripath in 1996, and it saw widespread use.
Class-D amplifiers work by generating a train of rectangular pulses of fixed amplitude but varying width and separation. This modulation represents the amplitude variations of the analog audio input signal.
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Ce cours présente l'analyse et la conception des circuits et systèmes électroniques sous forme discrète et intégrée. L'accent est mis sur les applications dans le domaine des télécommunications.
Maîtriser des blocs fonctionnels nécessitant un plus haut niveau d'abstraction. Réalisation de fonctions électroniques de haut niveau exploitant les amplificateurs opérationnels.
Présentation des principaux composants de base de l'électronique.
Analyse de circuits à base d'amplificateurs opérationnels.
Introduction aux circuits logiques élémentaires.
Principe de la conversion
Pulse-width modulation (PWM), or pulse-duration modulation (PDM), is a method of controlling the average power delivered by an electrical signal. The average value of voltage (and current) fed to the load is controlled by switching the supply between 0 and 100% at a rate faster than it takes the load to change significantly. The longer the switch is on, the higher the total power supplied to the load. Along with maximum power point tracking (MPPT), it is one of the primary methods of controlling the output of solar panels to that which can be utilized by a battery.
A sound reinforcement system is the combination of microphones, signal processors, amplifiers, and loudspeakers in enclosures all controlled by a mixing console that makes live or pre-recorded sounds louder and may also distribute those sounds to a larger or more distant audience. In many situations, a sound reinforcement system is also used to enhance or alter the sound of the sources on the stage, typically by using electronic effects, such as reverb, as opposed to simply amplifying the sources unaltered.
An audio power amplifier (or power amp) is an electronic amplifier that amplifies low-power electronic audio signals, such as the signal from a radio receiver or an electric guitar pickup, to a level that is high enough for driving loudspeakers or headphones. Audio power amplifiers are found in all manner of sound systems including sound reinforcement, public address, home audio systems and musical instrument amplifiers like guitar amplifiers. It is the final electronic stage in a typical audio playback chain before the signal is sent to the loudspeakers.
Explores OTA and OPAMP design principles, small-signal analysis, and compensation techniques for stability and performance.
Covers the design of low-power analog integrated circuits, focusing on operational transconductance amplifiers (OTAs) and operational amplifiers (OPAMPs).
Explores negative feedback in analog circuits, focusing on desensitizing gain, reducing distortion, controlling noise, and extending bandwidth.
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