Postmodernism is an intellectual stance or mode of discourse characterized by skepticism toward the "grand narratives" of modernism; rejection of epistemic (scientific) certainty or the stability of meaning; and sensitivity to the role of ideology in maintaining political power. Claims to objectivity are dismissed as naïve realism, with attention drawn to the conditional nature of knowledge claims within particular historical, political, and cultural discourses. The postmodern outlook is characterized by self-referentiality, epistemological relativism, moral relativism, pluralism, irony, irreverence, and eclecticism; it rejects the "universal validity" of binary oppositions, stable identity, hierarchy, and categorization.
Initially emerging from a mode of literary criticism, postmodernism developed in the mid-twentieth century as a rejection of modernism, and has been observed across many disciplines. Postmodernism is associated with the disciplines deconstruction and post-structuralism. Various authors have criticized postmodernism as promoting obscurantism, as abandoning Enlightenment, rationalism and scientific rigor, and as adding nothing to analytical or empirical knowledge.
Postmodernism is an intellectual stance or mode of discourse which challenges worldviews associated with Enlightenment rationality dating back to the 17th century. Postmodernism is associated with relativism and a focus on the role of ideology in the maintenance of economic and political power. Postmodernists are "skeptical of explanations which claim to be valid for all groups, cultures, traditions, or races, and instead focuses on the relative truths of each person". It considers "reality" to be a mental construct. Postmodernism rejects the possibility of unmediated reality or objectively-rational knowledge, asserting that all interpretations are contingent on the perspective from which they are made; claims to objective fact are dismissed as naive realism.
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Postmodernism is an intellectual stance or mode of discourse characterized by skepticism toward the "grand narratives" of modernism; rejection of epistemic (scientific) certainty or the stability of meaning; and sensitivity to the role of ideology in maintaining political power. Claims to objectivity are dismissed as naïve realism, with attention drawn to the conditional nature of knowledge claims within particular historical, political, and cultural discourses.
Nihilism (ˈnaɪ(h)ᵻlɪzəm,_ˈniː-; ) is a family of views within philosophy that rejects generally accepted or fundamental aspects of human existence, such as knowledge, morality, or meaning. The term was popularized by Ivan Turgenev and more specifically by his character Bazarov in the novel Fathers and Sons. There have been different nihilist positions, including that human values are baseless, that life is meaningless, that knowledge is impossible, or that some set of entities does not exist or is meaningless or pointless.
Paul-Michel Foucault (UKˈfuːkoʊ, USfuːˈkoʊ; pɔl miʃɛl fuko; 15 October 1926 - 25 June 1984) was a French philosopher, historian of ideas, writer, political activist, and literary critic. Foucault's theories primarily address the relationships between power and knowledge, and how they are used as a form of social control through societal institutions. Though often cited as a structuralist and postmodernist, Foucault rejected these labels.
Le cours offre un résumé de la théorie et la culture architecturales depuis 1789 dans le monde occidentale. Le but est de comprendre des textes dans lesquels l'architecture est définie comme une disci
Explores the origin and evolution of Impressionism, from a mocking term to a defining artistic identity, emphasizing the movement's focus on capturing sensations over precise landscapes.
Explores the role of architecture and architects in modern society, questioning if architects can shape society or if architecture is determined by social, political, and economic conditions.
There is an abundance of cases – architectural and philosophical, and especially post-modern; by academics, practitioners, and critics – in which a relation between architecture and philosophy is at w