Glossary of ancient Roman religion

The vocabulary of ancient Roman religion was highly specialized. Its study affords important information about the religion, traditions and beliefs of the ancient Romans. This legacy is conspicuous in European cultural history in its influence on later juridical and religious vocabulary in Europe, particularly of the Christian Church. This glossary provides explanations of concepts as they were expressed in Latin pertaining to religious practices and beliefs, with links to articles on major topics such as priesthoods, forms of divination, and rituals. For theonyms, or the names and epithets of gods, see List of Roman deities. For public religious holidays, see Roman festivals. For temples see the List of Ancient Roman temples. Individual landmarks of religious topography in ancient Rome are not included in this list; see Roman temple. NOTOC The verb abominari ("to avert an omen", from ab-, "away, off," and ominari, "to pronounce on an omen") was a term of augury for an action that rejects or averts an unfavourable omen indicated by a signum, "sign". The noun is abominatio, from which English "abomination" derives. At the taking of formally solicited auspices (auspicia impetrativa), the observer was required to acknowledge any potentially bad sign occurring within the templum he was observing, regardless of the interpretation. He might, however, take certain actions in order to ignore the signa, including avoiding the sight of them, and interpreting them as favourable. The latter tactic required promptness, wit and skill based on discipline and learning. Thus the omen had no validity apart from the observation of it. The aedes was the dwelling place of a god. It was thus a structure that housed the deity's image, distinguished from the templum or sacred district. Aedes is one of several Latin words that can be translated as "shrine" or "temple"; see also delubrum and fanum. For instance, the Temple of Vesta, as it is called in English, was in Latin an aedes. See also the diminutive aedicula, a small shrine.

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Roman funerary practices

Roman funerary practices include the Ancient Romans' religious rituals concerning funerals, cremations, and burials. They were part of time-hallowed tradition (mos maiorum), the unwritten code from which Romans derived their social norms. Elite funeral rites, especially processions and public eulogies, gave the family opportunity to publicly celebrate the life and deeds of the deceased, their ancestors, and the family's standing in the community.

Ludi

Ludi (Latin plural) were public games held for the benefit and entertainment of the Roman people (populus Romanus). Ludi were held in conjunction with, or sometimes as the major feature of, Roman religious festivals, and were also presented as part of the cult of state. The earliest ludi were horse races in the circus (ludi circenses). Animal exhibitions with mock hunts (venationes) and theatrical performances (ludi scaenici) also became part of the festivals.

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Bellona (bɛlˈloːna) was an ancient Roman goddess of war. Her main attribute is the military helmet worn on her head; she often holds a sword, spear, or shield, and brandishes a torch or whip as she rides into battle in a four-horse chariot. She had many temples throughout the Roman Empire. She is known for her temple outside of Rome being the official decision making centre in regards to war and for her bloodlust and madness in battle. Her iconography was extended by painters and sculptors following the Renaissance.

Rotation Dynamics: Gyroscopic Effects

Explores rotation dynamics, gyroscopic effects, and granular container behavior, emphasizing conservation of energy and practical exercises.

Auguste Perret

Roberto Gargiani

Dopo l'ostracismo degli accademici, dopo l'avversione dei modernisti, Perret e la sua opera ripropongono oggi la forza inesauribile dell'idea di classicità. «È classico tutto ciò che merita di diventarlo, senza eccezione di tempo, di paese, di scuola. Il classico non si decreta, esso si impone; non si può che constatarlo e registrarlo». (Julien Guadet)

Editori Laterza2002