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Concept
Giulia de' Medici
Summary
Giulia Romola di Alessandro de' Medici (c. 1535 – c. 1588) was the illegitimate, possibly multiracial, daughter of Alessandro de' Medici, Duke of Florence and his mistress Taddea Malaspina.
Following her father's assassination, she was reared at the court of Cosimo I de' Medici and married advantageously twice.
A child named Giulia Romola, with an unknown father, was baptized in Florence on November 5, 1535; this was probably Giulia. Close to this date, her father had commissioned a portrait of himself drawing a female profile in silverpoint. Art historians believe the portrait may have been intended as a gift for his mistress, Taddea Malaspina, the sister of the marchioness of Massa, to commemorate the birth of their second child, Giulia. Giulia also had an older full brother, Giulio di Alessandro de' Medici, and at least one half-sister, Porzia de' Medici.
After her father's assassination in 1537 and the ensuing power struggle among the Medici for control of Florence and of the family, Giulia and her brother Giulio were taken from their mother and placed under the guardianship of Alessandro's successor, Cosimo I de' Medici. Cosimo promised to treat the children well and their rooms were as opulent as those of his own children. Maria Salviati, the mother of Cosimo I, supervised the nurseries and watched over Giulia's bedside anxiously when the little girl became ill in February 1542. Giulia survived the fever, but her companion in the nursery, Cosimo I's illegitimate daughter Bia de' Medici, died.
As she grew up, Giulia was completely integrated into life at court and was educated to a high standard, as were the daughters and other female wards of Cosimo I. As much attention was paid to Giulia's appearance as to that of Cosimo I's daughters. When she was twelve or thirteen, Cosimo I's wife Eleonora of Toledo was outraged because Giulia's riding cloak did not look right; it was not decorated as she had ordered and it was the wrong length. Courtiers noted that the young Giulia was "the image of her father.
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