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Kinji Fukasaku
Summary
was a Japanese film director and screenwriter. Known for his "broad range and innovative filmmaking," Fukasaku worked in many different genres and styles, but was best known for his gritty yakuza films, typified by the Battles Without Honor and Humanity series (1973–1976). According to the Berkeley Art Museum and Pacific Film Archive, "his turbulent energy and at times extreme violence express a cynical critique of social conditions and genuine sympathy for those left out of Japan's postwar prosperity." He used a cinema verite-inspired shaky camera technique in many of his films from the early 1970s.
Fukasaku wrote and directed over 60 films between 1961 and 2003. Some Western sources have associated him with the Japanese New Wave movement of the '60s and '70s, but this belies his commercial success. His works include the Japanese portion of the Hollywood war film Tora! Tora! Tora! (1970), jidaigeki such as Shogun's Samurai (1978), the space opera Message from Space (1978), the post-apocalyptic science fiction film Virus (1980), the fantasy film Samurai Reincarnation (1981), and the influential dystopian thriller Battle Royale (2000).
Fukasaku won the Japan Academy Film Prize for Director of the Year three times, out of nine total nominations. He served as President of the Directors Guild of Japan from 1996, until his death from prostate cancer in 2003. In 1997, he received the Purple Medal of Honor from the Japanese government for his work in film. His films have inspired directors such as Quentin Tarantino, William Friedkin, and John Woo.
Kinji Fukasaku was born in 1930 in Mito, Ibaraki Prefecture as the youngest of five children. When he was 15 years old, Fukasaku's class was drafted, and he worked as a munitions worker during World War II. In July 1945, the class was caught in bombing. Since the children could not escape the bombs, they had to dive under each other in order to survive. The surviving members of the class had to dispose of the corpses. After the war, he spent much of his time watching foreign films.
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