Concept

Tanka

is a genre of classical Japanese poetry and one of the major genres of Japanese literature. Originally, in the time of the influential poetry anthology Man'yōshū (latter half of the eighth century AD), the term tanka was used to distinguish "short poems" from the longer chōka. In the ninth and tenth centuries, however, notably with the compilation of the Kokinshū, the short poem became the dominant form of poetry in Japan, and the originally general word waka became the standard name for this form. Japanese poet and critic Masaoka Shiki revived the term tanka in the early twentieth century for his statement that waka should be renewed and modernized. Haiku is also a term of his invention, used for his revision of standalone hokku, with the same idea. Tanka consist of five units (often treated as separate lines when romanized or translated) usually with the following pattern of on (often treated as, roughly, the number of syllables per unit or line): 5-7-5-7-7. The 5-7-5 is called the kami-no-ku, and the 7-7 is called the shimo-no-ku. During the Kojiki and Nihonshoki periods the tanka retained a well defined form, but the history of the mutations of the tanka itself forms an important chapter in haiku history, until the modern revival of tanka began with several poets who began to publish literary magazines, gathering their friends and disciples as contributors. Yosano Tekkan and the poets that were associated with his Myōjō magazine were one example, but that magazine was fairly short-lived (Feb. 1900 - Nov. 1908). A young high school student, Otori You (later known as Akiko Yosano), and Ishikawa Takuboku contributed to Myōjō. In 1980 the New York Times published a representative work: Masaoka Shiki's (1867–1902) poems and writing (as well as the work of his friends and disciples) have had a more lasting influence. The magazine Hototogisu, which he founded, still publishes. In the Meiji period (1868–1912), Shiki claimed the situation with waka should be rectified, and waka should be modernized in the same way as other things in the country.

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Related concepts (4)
Japanese poetry
Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or ryūka from the Okinawa Islands: it is possible to make a more accurate distinction between Japanese poetry written in Japan or by Japanese people in other languages versus that written in the Japanese language by speaking of Japanese-language p
Waka (poetry)
Waka is a type of poetry in classical Japanese literature. Although waka in modern Japanese is written as 和歌, in the past it was also written as 倭歌 (see Wa, an old name for Japan), and a variant name is yamato-uta. The word waka has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as chōka and sedōka (discussed below); the later, more common definition refers to poetry in a 5-7-5-7-7 metre.
Kigo
A kigo is a word or phrase associated with a particular season, used in traditional forms of Japanese poetry. Kigo are used in the collaborative linked-verse forms renga and renku, as well as in haiku, to indicate the season referred to in the stanza. They are valuable in providing economy of expression. Although the term kigo was coined as late as 1908, representation of, and reference to, the seasons has long been important in Japanese culture and poetry.
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