Metamodernism is a term that refers to a range of developments observed in many areas of art, culture and philosophy, emerging in the aftermath of postmodernism, roughly at the turn of the 21st century. Metamodernism is one of a number of attempts to describe post-postmodernism. Many metamodernists characterize it as mediations between aspects of modernism and postmodernism (sometimes said to be a "structure of feeling" that oscillates between the two); for others the term suggests an integration of those sensibilities with premodern (indigenous and traditional) cultural codes as well.
In 1995, Canadian literary theorist Linda Hutcheon stated that a new label for what was coming after postmodernism was necessary.
The term appeared as early as 1975, when scholar Mas'ud Zavarzadeh used it to describe a cluster of aesthetics or attitudes which had been emerging in American literary narratives since the mid-1950s. In 1999, Moyo Okediji utilized the term "metamodern", applying it to contemporary African-American art that issues an "extension of and challenge to modernism and postmodernism." In 2002, Andre Furlani, analyzing the literary works of Guy Davenport, defined metamodernism as an aesthetic that is "after yet by means of modernism.... a departure as well as a perpetuation." The relationship between metamodernism and modernism was seen as going "far beyond homage, toward a reengagement with modernist method in order to address subject matter well outside the range or interest of the modernists themselves." In 2007, Alexandra Dumitrescu described metamodernism as partly a concurrence with, partly an emergence from, and partly a reaction to, postmodernism, "champion[ing] the idea that only in their interconnection and continuous revision lie the possibility of grasping the nature of contemporary cultural and literary phenomena."
In 2010, cultural theorists Timotheus Vermeulen and Robin van den Akker contributed significantly to the theorization of post-postmodernism, using the term metamodernism.