Diggers (theater)

The Diggers were a radical community-action group of activists and street theatre actors operating from 1966 to 1968, based in the Haight-Ashbury neighborhood of San Francisco. Their politics have been categorized as "left-wing." More accurately, they were "community anarchists" who blended a desire for freedom with a consciousness of the community in which they lived. The Diggers' central tenet was to be "authentic," seeking to create a society free from the dictates of money and capitalism. The Diggers were closely associated and shared a number of members with the guerrilla theater group San Francisco Mime Troupe. They were formed out of after-hours Mime Troupe discussions between Emmett Grogan, Peter Coyote, Peter Berg, and Billy Landout. They fostered and inspired later groups like the Yippies. The Diggers took their name from the original English Diggers (1649–1650) who had promulgated a vision of society free from buying, selling, and private property. During the mid- and late 1960s, the San Francisco Diggers organized free music concerts and works of political art, provided free food, medical care, transport, and temporary housing and opened stores that gave away stock. Some of their events included the Death of Money Parade, Intersection Game, Invisible Circus, and Death of Hippie/Birth of Free. The group sought to create a mini-society free of money and capitalism. One of the first Digger activities was the publishing of various broadsides, which were printed by sneaking into the local Students for a Democratic Society office and using their Gestetner printer. The leaflets were eventually called The Digger Papers, and soon morphed into small pamphlets with poetry, psychedelic art, and essays. The Digger Papers originated such phrases as "Do your own thing" and "Today is the first day of the rest of your life." They often included statements that mocked the prevailing attitude of the counterculture promoted by less-radical figures like the Haight-Independent Proprietors (HIP), Timothy Leary, and Richard Alpert.

About this result

This page is automatically generated and may contain information that is not correct, complete, up-to-date, or relevant to your search query. The same applies to every other page on this website. Please make sure to verify the information with EPFL's official sources.

Related concepts (6)

Diggers (theater)

Counterculture of the 1960s

The counterculture of the 1960s was an anti-establishment cultural phenomenon that developed in the Western world starting in the mid-1960s, and continued until the early 1970s. The effects of the movement have been ongoing to the present day. The aggregate movement gained momentum as the civil rights movement in the United States had made significant progress, such as the Voting Rights Act of 1965, and with the intensification of the Vietnam War that same year, it became revolutionary to some.

New Left

The New Left was a broad political movement mainly in the 1960s and 1970s. It consisted of activists in the Western world who campaigned for a broad range of social issues such as civil and political rights, feminism, gay rights, rejection of gender roles, and drug policy reforms. Some see the New Left as an oppositional reaction to earlier Marxist and labor union movements for social justice that focused on dialectical materialism and social class, while others who used the term see the movement as a continuation and revitalization of traditional leftist goals.