Early Christian art and architecture or Paleochristian art is the art produced by Christians or under Christian patronage from the earliest period of Christianity to, depending on the definition used, sometime between 260 and 525. In practice, identifiably Christian art only survives from the 2nd century onwards. After 550 at the latest, Christian art is classified as Byzantine, or of some other regional type.
It is hard to know when distinctly Christian art began. Prior to 100, Christians may have been constrained by their position as a persecuted group from producing durable works of art. Since Christianity was largely a religion not well represented in the public sphere, the lack of surviving art may reflect a lack of funds for patronage, and simply small numbers of followers. The Old Testament restrictions against the production of graven (an idol or fetish carved in wood or stone) images (see also Idolatry and Christianity) may also have constrained Christians from producing art. Christians may have made or purchased art with pagan iconography, but given it Christian meanings, as they later did. If this happened, "Christian" art would not be immediately recognizable as such.
Early Christianity used the same artistic media as the surrounding pagan culture. These media included fresco, mosaics, sculpture, and manuscript illumination. Early Christian art used not only Roman forms but also Roman styles. Late classical style included a proportional portrayal of the human body and impressionistic presentation of space. Late classical style is seen in early Christian frescos, such as those in the Catacombs of Rome, which include most examples of the earliest Christian art.
Early Christian art and architecture adapted Roman artistic motifs and gave new meanings to what had been pagan symbols. Among the motifs adopted were the peacock, Vitis viniferavines, and the "Good Shepherd". Early Christians also developed their own iconography; for example, such symbols as the fish (ikhthus) were not borrowed from pagan iconography.
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The course is part of a three-year trajectory dedicated to a comprehensive history of domestic space and its relationship with urban form. This year the course will be devoted to the origins of domest
Christianity in the 1st century covers the formative history of Christianity from the start of the ministry of Jesus (27–29 AD) to the death of the last of the Twelve Apostles (100) and is thus also known as the Apostolic Age. Early Christianity developed out of the eschatological ministry of Jesus. Subsequent to Jesus' death, his earliest followers formed an apocalyptic messianic Jewish sect during the late Second Temple period of the 1st century.
Early Christianity, or Paleochristianity, describes the historical era of the Christian religion up to the First Council of Nicaea in 325. Christianity spread from the Levant, across the Roman Empire, and beyond. Originally, this progression was closely connected to already established Jewish centers in the Holy Land and the Jewish diaspora. The first followers of Christianity were Jews who had converted to the faith, i.e. Jewish Christians. Early Christianity contains the Apostolic age and is followed by, and substantially overlaps with, the Patristic era.
The depiction of Jesus in pictorial form dates back to early Christian art and architecture, as aniconism in Christianity was the norm within the ante-Nicene period. It took several centuries to reach a conventional standardized form for his physical appearance, which has subsequently remained largely stable since that time. Most images of Jesus have in common a number of traits which are now almost universally associated with Jesus, although variants are seen.
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