Greek lyric is the body of lyric poetry written in dialects of Ancient Greek.
It is primarily associated with the early 7th to the early 5th centuries BC, sometimes called the "Lyric Age of Greece", but continued to be written into the Hellenistic and Imperial periods.
Lyric is one of three broad categories of poetry in classical antiquity, along with drama and epic, according to the scheme of the "natural forms of poetry" developed by Goethe in the early nineteenth century. (Drama is considered a form of poetry here because both tragedy and comedy were written in verse in ancient Greece.) Culturally, Greek lyric is the product of the political, social and intellectual milieu of the Greek polis ("city-state").
Much of Greek lyric is occasional poetry, composed for public or private performance by a soloist or chorus to mark particular occasions. The symposium ("drinking party") was one setting in which lyric poems were performed. "Lyric" was sometimes sung to the accompaniment of either a string instrument (particularly the lyre or kithara) or a wind instrument (most often the reed pipe called aulos). Whether the accompaniment was a string or wind instrument, the term for such accompanied lyric was melic poetry (from the Greek word for "song" melos). Lyric could also be sung without any instrumental accompaniment. This latter form is called meter and it is recited rather than sung, strictly speaking.
Modern surveys of "Greek lyric" often include relatively short poems composed for similar purposes or circumstances that were not strictly "song lyrics" in the modern sense, such as elegies and iambics. The Greeks themselves did not include elegies nor iambus within melic poetry, since they had different metres and different musical instruments. The Edinburgh Companion to Ancient Greece and Rome offers the following clarification: "'melic' is a musical definition, 'elegy' is a metrical definition, whereas 'iambus' refers to a genre and its characteristics subject matter. (...
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The Nine Lyric or Melic Poets were a canonical group of ancient Greek poets esteemed by the scholars of Hellenistic Alexandria as worthy of critical study. In the Palatine Anthology it is said that they established lyric song.
Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. It is not equivalent to song lyrics, though song lyrics are often in the lyric mode, and it is also not equivalent to Ancient Greek lyric poetry, which was principally limited to song lyrics, or chanted verse. The term for both modern lyric poetry and modern song lyrics derives from a form of Ancient Greek literature, the Greek lyric, which was defined by its musical accompaniment, usually on a stringed instrument known as a kithara, a seven-stringed lyre (hence "lyric").
Alcman (ˈælkmən; Ἀλκμάν Alkmán; fl. 7th century BC) was an Ancient Greek choral lyric poet from Sparta. He is the earliest representative of the Alexandrian canon of the Nine Lyric Poets. He wrote six books of choral poetry, most of which is now lost; his poetry survives in quotation from other ancient authors and on fragmentary papyri discovered in Egypt. His poetry was composed in the local Doric dialect with Homeric influences.