The album era was a period in English-language popular music from the mid-1960s to the mid-2000s in which the album was the dominant form of recorded music expression and consumption. It was primarily driven by three successive music recording formats: the 331⁄3 rpm long-playing record (LP), the cassette tape, and the compact disc (CD). Rock musicians from the US and the UK were often at the forefront of the era, which is sometimes called the album-rock era in reference to their sphere of influence and activity. The term "album era" is also used to refer to the marketing and aesthetic period surrounding a recording artist's album release.
LP albums developed in the early 20th century and were originally marketed for classical music and wealthier adult consumers. However, singles still dominated the music industry, eventually through the success of rock and roll performers in the 1950s, when the LP format was utilized more for soundtrack, jazz, and some pop recordings. It was not until the mid-1960s, when the Beatles began to release artistically ambitious and top-selling LPs, that more rock and pop acts followed suit and the industry embraced albums to immense success while burgeoning rock criticism validated their cultural value. By the next decade, the LP had emerged as a fundamental artistic unit and a widely popular item with young people, often marketed using the idea of a concept album, which was employed especially by progressive musicians in both rock and soul.
At the end of the 1970s, LP albums experienced a decline in sales while the singles format was reemphasized by the developments of punk rock, disco, and MTV's music video programming. The record industry combatted this trend by gradually displacing LPs with CDs, releasing fewer singles that were hits to force sales of their accompanying albums, and inflating the prices of CD albums over the next two decades, when their production proliferated.
This page is automatically generated and may contain information that is not correct, complete, up-to-date, or relevant to your search query. The same applies to every other page on this website. Please make sure to verify the information with EPFL's official sources.
Nevermind is the second album by the American rock band Nirvana, released on September 24, 1991, by DGC Records. It was Nirvana's first release on a major label and the first to feature drummer Dave Grohl. Produced by Butch Vig, Nevermind features a more polished, radio-friendly sound than the band's prior work. It was recorded at Sound City Studios in Van Nuys, California, and Smart Studios in Madison, Wisconsin, in May and June 1991, and mastered that August at the Mastering Lab in Hollywood, California.
Record collecting is the hobby of collecting sound recordings, usually of music, but sometimes poetry, reading, historical speeches, and ambient noises. Although the typical focus is on vinyl records, all formats of recorded music can be collected. The scope of a record collection may include a focus on any of the following categories: genres (or subgenres) artists (or producers) recording labels (or sublabels) periods (or music scenes) formats, e.g. 78s, 7"s, LPs, EPs, Mono, Reel-to-reel, Cassettes, 45s, SPs, CDs, etc.
Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training. It stands in contrast to both art music and traditional or "folk" music. Art music was historically disseminated through the performances of written music, although since the beginning of the recording industry, it is also disseminated through recordings.
I did not use WeChat as my main method or main source of materials, but I realized that during my fieldwork in China, I did use WeChat very often to help me collect data, and I see the potential of using WeChat as an increasingly important method for furth ...
2022
This dissertation on data-driven music theory is centered around curatorial practices concerning the creation, publication, and evaluation of large, expert-annotated symbolic datasets. With its primary interest in the harmony of European tonal music from i ...
Short-term spectral features – and most notably Mel-Frequency Cepstral Coefficients (MFCCs) – are the most widely used descriptors of audio signals and are deployed in a majority of state-of-the-art Music Information Retrieval (MIR) systems. These descript ...