Concept
Femme à l'Éventail (also known as L'Éventail vert, Woman with a Fan, and The Lady) is an oil painting created in 1912 by the French artist and theorist Jean Metzinger (1883–1956). The painting was exhibited at the Salon d'Automne, 1912, Paris (hung in the decorative arts section inside the Salon Bourgeois of La Maison Cubiste, the Cubist House), and De Moderne Kunstkring, 1912, Amsterdam (L'éventail vert, no. 153). It was also exhibited at the Musée Rath, Geneva, Exposition de cubistes français et d'un groupe d'artistes indépendants, 3–15 June 1913 (L'éventail vert, no. 22). A 1912 photograph of Femme à l'Éventail hanging on a wall inside the Salon Bourgeois was published in The Sun (New York, N.Y.), 10 November 1912. The same photograph was reproduced in The Literary Digest, 30 November 1912. Metzinger's Cubist contribution to the 1912 Salon d'Automne created a controversy in the Municipal Council of Paris, leading to a debate in the Chambre des Députés about the use of public funds to provide the venue for such 'barbaric' art. The Cubists were defended by the Socialist politician, Marcel Sembat. This painting was realized as Jean Metzinger and Albert Gleizes, in preparation for the Salon de la Section d'Or, published a major defence of Cubism, resulting in the first theoretical essay on the new movement, Du "Cubisme". A photograph of Femme à l'Éventail appears among the Léonce Rosenberg archives in Paris, but there is no indication of when he acquired the painting. A Rosenberg label on the reverse bears the information "No.25112 J.Metzinger, 1913." By 1918 Rosenberg was buying Metzinger's paintings and may have acquired the picture around this time or soon afterwards. In 1937 Femme à l'Éventail was exhibited at Musée du Petit Palais, Les Maitres de l'art indépendant, 1895-1937, no. 12 (dated 1912). Mlle. Gamier des Garets probably acquired the painting after the 1937 exhibition. By 1938 Solomon R. Guggenheim Museum had purchased the painting. It was gifted to the museum (gift 38.
