Concept

Carolingian architecture

Summary
Carolingian architecture is the style of north European Pre-Romanesque architecture belonging to the period of the Carolingian Renaissance of the late 8th and 9th centuries, when the Carolingian dynasty dominated west European politics. It was a conscious attempt to emulate Roman architecture and to that end it borrowed heavily from Early Christian and Byzantine architecture, though there are nonetheless innovations of its own, resulting in a unique character. The gatehouse of the monastery at Lorsch, built around 800, exemplifies classical inspiration for Carolingian architecture, built as a triple-arched hall dominating the gateway, with the arched facade interspersed with attached classical columns and pilasters above. The Palatine Chapel in Aachen constructed between 792–805 was inspired by the octagonal Justinian church of San Vitale in Ravenna, built in the 6th century, but at Aachen there is a tall monumental western entrance complex, as a whole called a westwork—a Carolingian innovation. Carolingian churches generally are basilican, like the Early Christian churches of Rome, and commonly incorporated westworks, which is arguably the precedent for the western facades of later medieval cathedrals. An original westwork survives today at the Abbey of Corvey, built in 885. The Carolingian Renaissance generated such a construction boom that between 768 and 855, 27 new cathedrals, 417 monastic buildings and 100 royal residences were built. Just during Charlemagne's reign, 16 cathedrals, 232 monasteries and 65 palaces were built. The kings were not only responsible for the construction sites but they also provided the architects and the funding. The rediscovery of the architecture treatises written by Vitruvius enabled the building in stone, a material little used until then North of the Loire Valley. During their travels to Italy, the Carolingians discovered the Roman basilicas, the triumphal arches and the palatine chapels. The architects did not simply copy the Roman forms but rather adapted their plans to serve the needs of the royal and religious ceremonies.
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