Concept

Jeet Kune Do

Summary
Jeet Kune Do (; zit6.kyun4.dou6; ; abbreviated JKD) is a hybrid martial art conceived and practiced by martial artist Bruce Lee. It was formed from Lee's experiences in unarmed fighting and self-defense—as well as eclectic, Zen Buddhist and Taoist philosophies—as a new school of martial arts thought. The core of Jeet Kune Do is the interception of the opponent, making corresponding responses or counterattacks that strike at incoming attacks. JKD also incorporates a set of principles to help practitioners make instant decisions and improve the physical and mental self, being intended to have practical applications in life without the traditional routines and metaphysics of conventional martial arts. As an eclectic martial art, it relies on a fighting style heavily influenced by Wing Chun, Taekwondo, Boxing, Fencing and Jujutsu. Bruce Lee himself never formalized Jeet Kune Do before he died. This forced later JKD practitioners to rely upon their own interpretation of the philosophy created by Bruce Lee. Bruce Lee In his youth, Lee began studying Wing Chun under the martial artist Ip Man. Lee also researched other fighting styles, and would later form his own martial art in 1962, called Jun Fan Gung Fu. However, around 1964, following his encounter with Wong Jack-man, Lee disavowed the rigidity of systematized martial arts. Following this, Lee began a journey of research in order to refine his way of practicing martial arts. In 1965, he outlined the basic concepts of Jeet Kune Do in a press interview, but it was only until 1967 that he came up with the name Jeet June Do. Initially, Lee wrestled with putting a name to his art as he constantly veered away from any type of crystallization of its essence; however, the simple need to refer to it in some concrete way led him to decide upon a name for it. I have not invented a "new style," composite, modified or otherwise that is set within distinct form as apart from "this" method or "that" method. On the contrary, I hope to free my followers from clinging to styles, patterns, or molds.
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