María Jacinta Xón Riquiac

María Jacinta X. Riquiac is a Maya Kʼicheʼ anthropologist and indigenous rights activist from Guatemala. Xón Riquiac studied history at the University of San Carlos of Guatemala and with the support of the Ford Foundation received a master's degree in the history of science from the Pontifical Catholic University of São Paulo. She has served as a representative of Guatemala's indigenous peoples at some international events. Xon Riquiac was featured as one of fifty Guatemalan women "writing history" profiled in the book Entre Chapinas (2020). Described as a "Mayan feminist," Xón Riquiac researches contemporary Guatemalan culture from an intersectional, anti-capitalist, feminist point of view. Her 2004 thesis was titled "The Maya as a Political Identity in Indigenous Women," and this has remained a key research interest. Xón Riquiac has stressed the importance of clothing to Mayan communities, particularly how traditional designs are both preserved and modernized; she posits that these garments provide a stable sense of identity, especially for women. Xón Riquiac wears huipil and corte (a traditional skirt). Her interest in contemporary textiles has also led her to become an art critic for contemporary art related to indigenous textiles and weaving, such as the work of Tz’utujil artist Antonio Pichillá. She has also participated in art exhibitions. Xón Riquiac has written about the damage of "othering" and stereotyping in contemporary Guatemalan culture that persist despite the promises of respect for indigenous persons established in the Peace Accords of 1996; she argues that indigenous women suffer the most because they have limited educational and economic opportunities. Another of her research interests is the complex relationship between the state, dominant cultural groups and norms, and indigenous culture and beliefs.