Ono no Komachi was a Japanese waka poet, one of the Rokkasen — the six best waka poets of the early Heian period. She was renowned for her unusual beauty, and Komachi is today a synonym for feminine beauty in Japan. She also counts among the Thirty-six Poetry Immortals.
Almost nothing of Komachi's life is known for certain, save for the names of various men with whom she engaged in romantic affairs and whose poetry exchanges with her are preserved in the Kokin Wakashū. She was probably born between 820 and 830, and she was most active in composing poetry around the middle of the ninth century.
Extensive study has gone into trying to ascertain her place of birth, her family and so on, but without conclusive results. The Edo-period scholar Arai Hakuseki advanced the theory that there was more than one woman named Komachi and that the legends about her referred to different people. This theory was later expanded to conjecture that there were four "Komachis". It has been conjectured that she was a lady-of-the-bedchamber in the service of Emperor Ninmyō, and when the latter died in 850 she started relationships with other men.
According to one tradition, she was born in what is now Akita Prefecture, daughter of Yoshisada, Lord of Dewa. The Noh play Sotoba Komachi by Kan'ami describes her as "the daughter of Ono no Yoshizane, the governor of Dewa". Her social status is also uncertain. She may have been a low-ranking consort or a lady-in-waiting of an emperor.
The headnote to poem #938 in the Kokinshū implies she had some sort of connection to Fun'ya no Yasuhide.
Legends about Komachi had developed as early as the eleventh century. They were later used extensively by the writers of Noh plays.
Stories abound of Komachi in love. One of the legends about her is that she was a lover of Ariwara no Narihira, her contemporary poet and also a member of the Rokkasen. It has been speculated that this legend may derive from the perhaps-accidental placement of one her poems next to one of Narihira's.
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Waka is a type of poetry in classical Japanese literature. Although waka in modern Japanese is written as 和歌, in the past it was also written as 倭歌 (see Wa, an old name for Japan), and a variant name is yamato-uta. The word waka has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as chōka and sedōka (discussed below); the later, more common definition refers to poetry in a 5-7-5-7-7 metre.
, better-known as Fujiwara no Teika (1162 – September 26, 1241), was a Japanese anthologist, calligrapher, literary critic, novelist, poet, and scribe of the late Heian and early Kamakura periods. His influence was enormous, and he is counted as among the greatest of Japanese poets, and perhaps the greatest master of the waka form – an ancient poetic form consisting of five lines with a total of 31 syllables. Teika's critical ideas on composing poetry were extremely influential and studied until as late as the Meiji era.
The Kokin Wakashū, commonly abbreviated as Kokinshū, is an early anthology of the waka form of Japanese poetry, dating from the Heian period. An imperial anthology, it was conceived by Emperor Uda (887-897) and published by order of his son Emperor Daigo (897-930) in about 905. Its finished form dates to 920, though according to several historical accounts the last poem was added to the collection in 914. The compilers of the anthology were four court poets, led by Ki no Tsurayuki and also including Ki no Tomonori (who died before its completion), Ōshikōchi no Mitsune, and Mibu no Tadamine.