Are you an EPFL student looking for a semester project?
Work with us on data science and visualisation projects, and deploy your project as an app on top of Graph Search.
Concept
François-André Danican Philidor
Summary
François-André Danican Philidor (7 September 1726 – 31 August 1795), often referred to as André Danican Philidor during his lifetime, was a French composer and chess player. He contributed to the early development of the opéra comique. He is widely regarded as the best chess player of his age; his book Analyse du jeu des Échecs was considered a standard chess manual for at least a century. A well-known chess opening, an endgame position, and a checkmate method are all named after him.
François-André Danican Philidor came from the well-known musical Philidor family. The original name of his family was Danican, but François-André's grandfather, Jean Danican Philidor, was given the nickname of Philidor by Louis XIII because his oboe playing reminded the king of an Italian virtuoso oboist named Filidori.
Philidor joined the royal choir of Louis XV in 1732 at the age of 6, and made his first attempt at the composition of a song at the age of 11. It was said that Louis XV wanted to listen to the choir almost every day, and the singers, while waiting for the king to arrive, played chess to relieve their boredom; this may have sparked Philidor's interest in chess.
Starting in about 1740, he lived and worked in Paris as a performer, teacher and music copyist. He was the teacher of the Bohemian composer and pianist Ludwig Wenzel Lachnith. During this time he met Diderot, who called him 'Philidor le subtil' in Le neveu de Rameau. He spent much of the period 1745–1754 in London after a concert tour of the Netherlands collapsed, and moved in the same circles as Dr Johnson and Dr Burney. He returned to the French capital in 1754, resolving to devote himself seriously to musical composition, although his music was found by some to be too Italianate (as a result of his travels). However he scored several triumphs at the fair theatres, starting with Blaise le savetier in 1759. His three most successful works were Le sorcier (1764), Tom Jones (after Henry Fielding, 1765), and Ernelinde, princesse de Norvège (1767).
About this result
This page is automatically generated and may contain information that is not correct, complete, up-to-date, or relevant to your search query. The same applies to every other page on this website. Please make sure to verify the information with EPFL's official sources.