Barry Zaid (born June 8, 1938) is a graphic artist and designer. Zaid has contributed covers and drawings to numerous magazines and newspapers including Canadian publications The Globe and Mail, the Star Weekly, Chatelaine, Toronto Life and Maclean's; the Australian edition of Vogue; British magazines such as British Vogue, The Times, Queen, and The Sunday Times; the French Mademoiselle Age Tendre; and numerous American publications, including The New York Times, Time, Audience, TV Guide, Woman's Day, National Lampoon, Esquire, Sesame Street Magazine, New York magazine, Seventeen, McCalls, Highlights for Children, and Denver Magazine. In addition, Zaid has designed several billboards for 7-Up, and hundreds of logos, including Miami Beach Sports, Upper Crust Sandwich Shop, The Dawg House, Florida Bay Mortgage, The Conch Farm, Chateau Le Chat, and The Market Company, and packaging for Kleenex tissues, Celestial Seasonings Herb Teas, Florence Gunnarson Perfumed Essentials, Captain Condom, Tropical Delicious, Tropic Lines (Jamaica), We Take The Cake, and Granny Bear Honey. Born in Toronto, Ontario, Canada, Zaid studied English, Architecture and Archaeology at the University of Toronto (1957–1961). While a student, he designed posters for the Hart House Theatre and Neptune Theatre in Halifax, Nova Scotia and had a one man show of drawings and paintings at Toronto's Pollock Gallery in 1961. After graduating, he worked in a design studio (Rapier Arts Ltd.) in London, England and traveled throughout Europe (1961–1962). Following his return to Canada, he worked as a freelance graphic designer and illustrator and as a studio art director (Colopy Associates) in Toronto (1963–66). He then returned to London where he freelanced for two years, represented by Artist Partners Ltd. (1966–68), before joining the New York design consortium Push Pin Studios, (principals: Seymour Chwast and Milton Glaser) with whom he worked for six years (1969–75).