Qasida | EPFL Graph Search

Are you an EPFL student looking for a semester project?

Work with us on data science and visualisation projects, and deploy your project as an app on top of GraphSearch.

The qaṣīda (also spelled qaṣīdah; is originally an Arabic word قصيدة, plural qaṣā’id, قصائد; that was passed to some other languages such as قصیده or چكامه, chakameh, and kaside) is an ancient Arabic word and form of writing poetry, often translated as ode, passed to other cultures after the Arab Muslim expansion. The word qasidah is still used in its original birthplace, Arabia, and in all Arab countries. Well known qasā'id include the Seven Mu'allaqat and Qasida Burda ("Poem of the Mantle") by Imam al-Busiri and Ibn Arabi's classic collection "The Interpreter of Desires". The classic form of qasida maintains a single elaborate metre throughout the poem, and every line rhymes on the same sound. It typically runs from fifteen to eighty lines, and sometimes more than a hundred. The genre originates in Arabic poetry and was adopted by Persian poets, where it developed to be sometimes longer than a hundred lines. Arabic qaṣīda means "intention" and the genre found use as a petition to a patron. A qaṣīda has a single presiding subject, logically developed and concluded. Often it is a panegyric, written in praise of a king or a nobleman, a genre known as madīḥ, meaning "praise". In his ninth-century "Book of Poetry and Poets" (Kitab al-shi'r wa-al-shu'ara) the Arabian writer Ibn Qutaybah describes the (Arabic) qasida as being constituted of three parts: The nasīb: a nostalgic opening in which the poet reflects on what has passed. A common theme is the pursuit by the poet of the caravan of his beloved: by the time he reaches their camp-site they have already moved on. The raḥīl or travel section: a release or disengagement (takhallus), often achieved by the poet describing his transition from the nostalgia of the nasīb to contemplating the harshness of the land and life away from the tribe. The message of the poem, which can take several forms: praise of the tribe (fakhr) or a ruler (madīḥ), satire about other tribes (hija) or some moral maxim (hikam). While many poets have intentionally or unintentionally deviated from this plan it is recognisable in many.

About this result

This page is automatically generated and may contain information that is not correct, complete, up-to-date, or relevant to your search query. The same applies to every other page on this website. Please make sure to verify the information with EPFL's official sources.

Related concepts (10)

Arabic poetry

Arabic poetry (الشعر العربي ash-shi‘r al-‘arabīyy) is one of the earliest form of Arabic literature. Present knowledge of written poetry in Arabic dates from the 5th century, but oral poetry is much older. Arabic poetry is categorized into two main types, rhymed or measured, and prose, with the former greatly preceding the latter. The rhymed poetry falls within fifteen different meters collected and explained by al-Farahidi in The Science of ‘Arud. Al-Akhfash, a student of al-Farahidi, later added one more meter to make them sixteen.

Sufi literature

Sufi literature consists of works in various languages that express and advocate the ideas of Sufism. Sufism had an important influence on medieval literature, especially poetry, that was written in Arabic, Persian, Turkic and Urdu. Sufi doctrines and organizations provided more freedom to literature than did the court poetry of the period. The Sufis borrowed elements of folklore in their literature. The works of Nizami, Nava'i, Hafez, Sam'ani and Jami were more or less related to Sufism.

Ghazal

The ghazal is a form of amatory poem or ode, originating in Arabic poetry. Ghazals often deal with topics of spiritual and romantic love and may be understood as a poetic expression of both the pain of loss or separation from the beloved and the beauty of love in spite of that pain. The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. The ghazal spread into South Asia in the 12th century due to the influence of Sufi mystics and the courts of the new Islamic Sultanate, and is now most prominently a form of poetry of many languages of the Indian subcontinent and Turkey.