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Concept
History of books
Summary
The history of books became an acknowledged academic discipline in the 1980s. Contributors to the discipline include specialists from the fields of textual scholarship, codicology, bibliography, philology, palaeography, art history, social history and cultural history. Its key purpose is to demonstrate that the book as an object, not just the text contained within it, is a conduit of interaction between readers and words.
Prior to the evolution of the printing press, made famous by the Gutenberg Bible, each text was a unique handcrafted valuable article, personalized through the design features incorporated by the scribe, owner, bookbinder, and illustrator. Analysis of each component part of the book reveals its purpose, where and how it was kept, who read it, ideological and religious beliefs of the period and whether readers interacted with the text within. Even a lack of evidence of this nature leaves valuable clues about the nature of that particular book.
The history of the book became an acknowledged academic discipline in the latter half of the 20th century. It was fostered by William Ivins Jr.'s Prints and Visual Communication (1953) and Henri-Jean Martin and Lucien Febvre's L'apparition du livre (The Coming of the Book: The Impact of Printing, 1450–1800) in 1958 as well as Marshall McLuhan's Gutenberg Galaxy: The Making of Typographic Man (1962). Another notable pioneer in the History of the Book is Robert Darnton.
The history of the book starts with the development of writing, and various other inventions such as paper and printing, and continues through to the modern-day business of book printing. The earliest knowledge society has on the history of books actually predates what would conventionally be called "books" today and begins with tablets, scrolls, and sheets of papyrus. (The current format that we consider to be books, with separate sheets fastened together rather than a scroll, is called a codex (plural codices)). Then hand-bound, expensive, and elaborate manuscripts appeared in codex form.
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Related concepts (3)
Codicology
Codicology (ˌkoʊdɪˈkɒlədʒi; from French codicologie; from Latin codex, genitive codicis, "notebook, book" and Greek -λογία, -logia) is the study of codices or manuscript books. It is often referred to as "the archaeology of the book," a term coined by François Masai. It concerns itself with the materials, tools and techniques used to make codices, along with their features. The demarcation of codicology is not clear-cut. Some view codicology as a discipline complete in itself, while others see it as auxiliary to textual criticism analysis and transmission, which is studied by philology.
History of literature
The history of literature is the historical development of writings in prose or poetry that attempt to provide entertainment, enlightenment, or instruction to the reader/listener/observer, as well as the development of the literary techniques used in the communication of these pieces. Not all writings constitute literature. Some recorded materials, such as compilations of data (e.g., a check register) are not considered literature, and this article relates only to the evolution of the works defined above.
Codex
The codex (: codices 'koʊdɪsiːz) was the historical ancestor of the modern book. Instead of being composed of sheets of paper, it used sheets of vellum, papyrus, or other materials. The term codex is often used for ancient manuscript books, with handwritten contents. A codex, much like the modern book, is bound by stacking the pages and securing one set of edges by a variety of methods over the centuries, yet in a form analogous to modern bookbinding. Modern books are divided into paperback (or softback) and those bound with stiff boards, called hardbacks.