The bi is a type of circular ancient Chinese jade artifact. The earliest bi were produced in the Neolithic period, particularly by the Liangzhu culture (3400–2250 BCE). Later examples date mainly from the Shang, Zhou and Han dynasties. They were also made in glass.
A bi is a flat jade disc with a circular hole in the centre. Neolithic bi are undecorated, while those of later periods of China, like the Zhou dynasty, bear increasingly ornate surface carving (particularly in a hexagonal pattern) whose motifs represented deities associated with the sky (four directions) as well as standing for qualities and powers the wearer wanted to invoke or embody.
As laboriously crafted objects, they testify to the concentration of power and resources in the hands of a small elite.
Later traditions associate the bi with heaven, and the cong with the earth. Bi discs are consistently found with heaven and earth-like imagery, suggesting that the disk's circular shape also bears symbolic significance as this description explains:
It is found that these objects testify to early stages of development of cosmological concepts that remained important in Chinese culture during the Warring States and Han periods: the notion of a covering sky (gaitian) that revolves around a central axis, the cycle of the Ten Suns, and the use of an early form of the carpenter's square. These objects were handled by shamans who were the religious leaders of Liangzhu society and the transmitters of cosmological knowledge.
From these earliest times they were buried with the dead, as a sky symbol, accompanying the dead into the after world or "sky", with the cong which connected the body with the earth. They were placed ceremonially on the body in the grave of persons of high social status. Bi are sometimes found near the stomach and chest in neolithic burials.
Jade, like bi disks, has been used throughout Chinese history to indicate an individual of moral quality, and has also served as an important symbol of rank.
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Chinese jade refers to the jade mined or carved in China from the Neolithic onward. It is the primary hardstone of Chinese sculpture. Although deep and bright green jadeite is better known in Europe, for most of China's history, jade has come in a variety of colors and white "mutton-fat" nephrite was the most highly praised and prized. Native sources in Henan and along the Yangtze were exploited since prehistoric times and have largely been exhausted; most Chinese jade today is extracted from the northwestern province of Xinjiang.
The Liangzhu culture or Liangzhu civilization (ˈljɑːŋˈdʒuː; 3300–2300 BC) was the last Neolithic jade culture in the Yangtze River Delta of China. The culture was highly stratified, as jade, silk, ivory and lacquer artifacts were found exclusively in elite burials, while pottery was more commonly found in the burial plots of poorer individuals. This division of class indicates that the Liangzhu period was an early state, symbolized by the clear distinction drawn between social classes in funeral structures.
The Longshan (or Lung-shan) culture, also sometimes referred to as the Black Pottery Culture, was a late Neolithic culture in the middle and lower Yellow River valley areas of northern China from about 3000 to 1900 BC. The first archaeological find of this culture took place at the Chengziya Archaeological Site in 1928, with the first excavations in 1930 and 1931. The culture is named after the nearby modern town of Longshan (lit. "Dragon Mountain") in Zhangqiu, Shandong.
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