A pointing machine is a measuring tool used by stone sculptors and woodcarvers to accurately copy plaster, clay or wax sculpture models into wood or stone.
In essence the device is a pointing needle that can be set to any position and then fixed. It further consists of brass or stainless steel rods and joints which can be placed into any position and then tightened. It is not actually a machine; its name is derived from the Italian macchinetta di punta.
The invention of the tool has been ascribed to both the French sculptor and medallist Nicolas-Marie Gatteaux (1751–1832) and to the British sculptor John Bacon (1740–1799). It was later perfected by Canova. However, similar devices were used in ancient times, when the copying of Greek sculptures for the Roman market was a large industry.
The pointing machine is used for making one-to-one copies of existing sculptures and to reproduce models made of plaster, modeling clay or modeling wax in materials like stone or wood. It is not possible to use a pointing machine to produce enlarged or reduced copies; the traditional instruments for this are a set of calipers or a three-dimensional version of the pantograph. However, there is also a special version of the pointing machine that was used for mirroring, enlargements or reduced carving.
To better control the end result of the finished sculpture, sculptors have increasingly taken to making a detailed model and then reproducing it, on the same scale or enlarged, in stone. Particularly in the 19th century, sculptors would follow a specific procedure: first a wax or clay model was made, of which a plaster cast was taken, which in its turn served as the model to be copied in stone with the use of calipers or a pointing machine. This is called the indirect method of carving.
The advantages of this method are that the end result is very controllable and that the chance of making irreparable mistakes is reduced drastically.
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A stone sculpture is an object made of stone which has been shaped, usually by carving, or assembled to form a visually interesting three-dimensional shape. Stone is more durable than most alternative materials, making it especially important in architectural sculpture on the outside of buildings. Stone carving includes a number of techniques where pieces of rough natural stone are shaped by the controlled removal of stone.
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been almost complete freedom of materials and process.