Comparative mythology is the comparison of myths from different cultures in an attempt to identify shared themes and characteristics. Comparative mythology has served a variety of academic purposes. For example, scholars have used the relationships between different myths to trace the development of religions and cultures, to propose common origins for myths from different cultures, and to support various psychoanalytical theories.
The comparative study of mythologies reveals the trans-national motifs that unify spiritual understanding globally. The significance of this study generates a "broad, sympathetic understanding of these "stories" in human history". The similarities of myths remind humanity of the universality in the human experience.
Anthropologist C. Scott Littleton defined comparative mythology as "the systematic comparison of myths and mythic themes drawn from a wide variety of cultures". By comparing different cultures' mythologies, scholars try to identify underlying similarities and/or to reconstruct a "protomythology" from which those mythologies developed. To an extent, all theories about mythology follow a comparative approach—as scholar of religion Robert Segal notes, "by definition, all theorists seek similarities among myths". However, scholars of mythology can be roughly divided into particularists, who emphasize the differences between myths, and comparativists, who emphasize the similarities. Particularists tend to "maintain that the similarities deciphered by comparativists are vague and superficial", while comparativists tend to "contend that the differences etched by particularists are trivial and incidental".
Comparative approaches to mythology held great popularity among eighteenth- and nineteenth-century scholars. Many of these scholars believed that all myths showed signs of having evolved from a thought which interpreted nearly all myths as poetic descriptions of the sun's behavior. According to this theory, these poetic descriptions had become distorted over time into seemingly diverse stories about gods and heroes.
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The three-legged (or tripedal) crow is a mythological creature in various mythologies and arts of East Asia. It is believed to inhabit and represent the Sun. Evidence of the earliest bird-Sun motif or totemic articles excavated around 5000 BCE. from the lower Yangtze River delta area. This bird-Sun totem heritage was observed in later Yangshao and Longshan cultures. Also, in Northeast Asia, artifacts of birds and phoenix observed to be a symbol of leadership was excavated to be around 5500 BCE in Xinle culture and later Hongshan culture from Liao river basin.
Greek mythology is the body of myths originally told by the ancient Greeks, and a genre of ancient Greek folklore, today absorbed alongside Roman mythology into the broader designation of classical mythology. These stories concern the ancient Greek religion's view of the origin and nature of the world; the lives and activities of deities, heroes, and mythological creatures; and the origins and significance of the ancient Greeks' cult and ritual practices.
Religion and mythology differ in scope but have overlapping aspects. Both are systems of concepts that are of high importance to a certain community, making statements concerning the supernatural or sacred. Generally, mythology is considered one component or aspect of religion. Religion is the broader term: besides mythological aspects, it includes aspects of ritual, morality, theology, and mystical experience. A given mythology is almost always associated with a certain religion such as Greek mythology with Ancient Greek religion.