Rinpa is one of the major historical schools of Japanese painting. It was created in 17th century Kyoto by Hon'ami Kōetsu (1558–1637) and Tawaraya Sōtatsu (d. c.1643). Roughly fifty years later, the style was consolidated by brothers Ogata Kōrin (1658–1716) and Ogata Kenzan (1663–1743).
The term "Rinpa" is an abbreviation consisting of the last syllable from "Kōrin" with the word for school (with rendaku changing this to "pa"), coined in the Meiji period. Previously, the style was referred to variously as the Kōetsu school , or Kōetsu-Kōrin school, or the Sōtatsu-Kōrin school.
Hon'ami Kōetsu founded an artistic community of craftsmen supported by wealthy merchant patrons of the Nichiren Buddhist sect at Takagamine in northeastern Kyoto in 1615. Both the affluent merchant town elite and the old Kyoto aristocratic families favored arts which followed classical traditions, and Kōetsu obliged by producing numerous works of ceramics, calligraphy and lacquerware.
His collaborator, Tawaraya Sōtatsu, maintained an atelier in Kyoto and produced commercial paintings such as decorative fans and folding screens. Sōtatsu also specialized in making decorated paper with gold or silver backgrounds, to which Kōetsu assisted by adding calligraphy.
Both artists came from families of cultural significance; Kōetsu came from a family of swordsmiths who had served the imperial court and the great warlords, Oda Nobunaga and Toyotomi Hideyoshi, in addition to the Ashikaga shōguns. Kōetsu's father evaluated swords for the Maeda clan, as did Kōetsu himself. However, Kōetsu was less concerned with swords as opposed to painting, calligraphy, lacquerwork, and the Japanese tea ceremony (he created several Raku ware tea bowls.) His own painting style was flamboyant, recalling the aristocratic style of the Heian period.
Sōtatsu also pursued the classical Yamato-e genre as Kōetsu, but pioneered a new technique with bold outlines and striking color schemes. One of his most famous works are the folding screens Wind and Thunder Gods at Kennin-ji temple in Kyoto and "Matsushima" at the Freer Gallery.