Roman de la Rose

Le Roman de la Rose (The Romance of the Rose) is a medieval poem written in Old French and presented as an allegorical dream vision. As poetry, The Romance of the Rose is a notable instance of courtly literature, purporting to provide a "mirror of love" in which the whole art of romantic love is disclosed. Its two authors conceived it as a psychological allegory; throughout the Lover's quest, the word Rose is used both as the name of the titular lady and as an abstract symbol of female sexuality. The names of the other characters function both as personal names and as metonyms illustrating the different factors that lead to and constitute a love affair. Its long-lasting influence is evident in the number of surviving manuscripts of the work, in the many translations and imitations it inspired, and in the praise and controversy it inspired. The Romance of the Rose was written in two stages by two authors. In the first stage of composition, circa 1230, Guillaume de Lorris wrote 4,058 verses describing a courtier's attempts at wooing his beloved woman. The first part of the poem's story is set in a walled garden, an example of a locus amoenus, a traditional literary topos in epic poetry and chivalric romance. Forty-five years later, circa 1275, in the second stage of composition, Jean de Meun or Jehan Clopinel wrote 17,724 additional lines, in which he expanded the roles of his predecessor's allegorical personages, such as Reason and Friend, and added new ones, such as Nature and Genius. They, in encyclopedic breadth, discuss the philosophy of love. The Romance of the Rose was both popular and controversial. One of the most widely read works in France through the Renaissance, it was possibly the most read book in Europe in the 14th and 15th centuries. Its emphasis on sensual language and imagery, along with its supposed promulgation of misogyny, provoked attacks by Jean Gerson, Christine de Pizan, Pierre d'Ailly, and many other writers and moralists of the 14th and 15th centuries.

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Related concepts (6)

Old French

Old French (franceis, françois, romanz; Modern French: ancien français) was the language spoken in most of the northern half of France approximately between the 8th and the 14th century. Rather than a unified language, Old French was a linkage of Romance dialects, mutually intelligible yet diverse. These dialects came to be collectively known as the langue d'oïl, contrasting with the langue d'oc in the south of France. The mid-14th century witnessed the emergence of Middle French, the language of the French Renaissance in the Île de France region; this dialect was a predecessor to Modern French.

Christine de Pizan

Christine de Pizan or Pisan (kʁistin də pizɑ̃), born Cristina da Pizzano (September 1364 – c. 1430), was an Italian-born French poet and court writer for King Charles VI of France and several French dukes. Christine de Pizan served as a court writer in medieval France after the death of her husband. Christine's patrons included dukes Louis I of Orleans, Philip the Bold of Burgundy, and his son John the Fearless.

Courtly love

Courtly love (fin'amor finaˈmuɾ; amour courtois amuʁ kuʁtwa) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love". This kind of love is originally a literary fiction created for the entertainment of the nobility, but as time passed, these ideas about love changed and attracted a larger audience.