The Nefertiti Bust is a painted stucco-coated limestone bust of Nefertiti, the Great Royal Wife of Egyptian pharaoh Akhenaten.
The work is believed to have been crafted in by Thutmose because it was found in his workshop in Amarna, Egypt. It is one of the most-copied works of ancient Egypt. Nefertiti has become one of the most famous women of the ancient world and an icon of feminine beauty.
A German archaeological team led by Ludwig Borchardt discovered the bust in 1912 in Thutmose's workshop. Despite provisions that prohibited any items of great archaeological value from leaving Egypt, Borchardt concealed the nature of the bust by covering it in a layer of clay and smuggled it out of the country in 1913. It has been kept at various locations in Germany since its discovery, including the cellar of a bank, a salt-mine in Merkers-Kieselbach, the Dahlem museum, the Egyptian Museum in Charlottenburg and the Altes Museum. It is currently on display at the Neues Museum in Berlin, where it was originally displayed before World War II.
The Nefertiti bust has become not only a defining emblem of ancient Egypt, but also a symbol of the grave impact that European colonialism has had on Egypt's history and culture. It has been the subject of an intense argument between Egypt and Germany over Egyptian demands for its repatriation, which began in 1924, once the bust was first displayed to the public, and more generally it fuelled discussions over the role museums play in undoing colonialism. Today, Egypt continues to demand the repatriation of the bust, whereas German officials and the Berlin Museum assert their ownership by citing an official protocol, signed by the German excavators and the French-led Egyptian Antiquities Service of the time, and the colonial laws based on the West's right to exploit the “racially inferior".
Nefertiti (meaning "the beautiful one has come forth") was the 14th-century BCE Great Royal Wife (chief consort) of the Egyptian Pharaoh Akhenaten of the Eighteenth Dynasty of Egypt.
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Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It was a conservative tradition whose style changed very little over time. Much of the surviving examples comes from tombs and monuments, giving insight into the ancient Egyptian afterlife beliefs.
Amarna art, or the Amarna style, is a style adopted in the Amarna Period during and just after the reign of Akhenaten (r. 1351–1334 BC) in the late Eighteenth Dynasty, during the New Kingdom. Whereas Ancient Egyptian art was famously slow to change, the Amarna style was a significant and sudden break from its predecessors both in the style of depictions, especially of people, and the subject matter. The artistic shift appears to be related to the king's religious reforms centering on the monotheistic or monolatric worship of the Aten, the disc of the Sun, as giver of life.
Thutmose, also known as "The King's Favourite and Master of Works, the Sculptor Thutmose" (also spelled Djhutmose, Thutmosis, and Thutmes), was an Ancient Egyptian sculptor. He flourished around 1350 BC, and is thought to have been the official court sculptor of the Egyptian pharaoh Akhenaten in the latter part of his reign. A German archaeological expedition digging in Akhenaten's deserted city of Akhetaten, known today as Amarna, found a ruined house and studio complex (labeled P47.