The architecture of Russia refers to the architecture of modern Russia as well as the architecture of both the original Kievan Rus', the Russian principalities, and Imperial Russia. Due to the geographical size of modern and Imperial Russia, it typically refers to architecture built in European Russia, as well as European influenced architecture in the conquered territories of the Empire.
The vernacular architecture stems from wooden construction traditions, and monumental masonry construction started to appear during the Kievan Rus’ era in what is now modern Ukraine. After the Mongol invasion of Rus, the Russian architectural trajectory continued in the principalities of Novgorod, Vladimir-Suzdal, Pskov, Muscovy, and the succeeding states of the Tsardom of Russia.
Much of the early standing architectural tradition in Russia stems from foreign influences and styles. Among the characteristic styles present in Russian architecture are the Byzantine revival style of the Kievan Rus’ and succeeding principalities’ churches, the Muscovite style, baroque, neoclassical, eclecticism, art nouveau, as well as the signature styles of the Soviet period.
Slavic paganism#Cosmology, iconography, temples and rites
Russian architecture is a mix of eastern Roman and Pagan architecture. Some characteristics taken from the Slavic pagan temples are the exterior galleries and the plurality of towers.
Architecture of Kievan Rus'
List of buildings of pre-Mongol Rus and Russian church architecture
Kievan Rus'
Under the reign of Vladimir the Great in 988 AD, the Kievan Rus' converted to Orthodox Christianity from their previous pagan religions, and the monumental architecture that followed was mainly ecclesiastical in type. According to legend, the conversion to Orthodox Christianity rather than to another religion was due to the beauty of the Hagia Sophia in Constantinople. The architecture style that dominated in this time blended Slavic and Byzantine styles, with predominant churches built in brick and stone with Byzantine art forms, initially built by imported Greek and Byzantine masters but adopted by local craftsmen and slightly modified.
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The Winter Palace (Zimnij dvorets) is a palace in Saint Petersburg that served as the official residence of the House of Romanov, previous emperors, from 1732 to 1917. The palace and its precincts now house the Hermitage Museum. Situated between Palace Embankment and Palace Square, adjacent to the site of Peter the Great's original Winter Palace, the present and fourth Winter Palace was built and altered almost continuously between the late 1730s and 1837, when it was severely damaged by fire and immediately rebuilt.
Naryshkin Baroque, also referred to as Moscow Baroque or Muscovite Baroque, is a particular style of Baroque architecture and decoration that was fashionable in Moscow from the late 17th century into the early 18th century. In the late 17th century, the Western European Baroque style of architecture combined with traditional Russian architecture to form this unique style. It is called Muscovite Baroque as it was originally only found within Moscow and the surrounding areas.
Elizabethan Baroque (Елизаветинское барокко or ) is a term for the Russian Baroque architectural style, developed during the reign of Elizabeth of Russia between 1741 and 1762. It is also called style Rocaille or Rococo style. The Italian architect Francesco Bartolomeo Rastrelli is the key figure of this trend, which is still given the name 'Rastrellian Baroque'. The Russian architect Savva Chevakinsky is also a renowned figure representing this style.
L'atelier propose d'explorer le thème de la construction dans le territoire alpin, à la lumière des changements imposés par les transformations économiques et sociales qui s'opèrent ces dernières déce
Explores the contrast between avant-garde architecture and urban planning in the Soviet Union, focusing on Manfredo Tafuri and Pier Vittorio Aureli's works.
Explores 18th-century architectural evolution, from picturesque beauty to urban planning innovations in Europe and North America.
« How do we pile up dwellings without sacrificing their independence ? »
Nicolas John Habraken asks the question in those terms in the book he first published in Dutch in 1961 then in English in 1972, Supports: An Alternative to Mass Housing, as an introd ...
EPFL2019
Le pavillon matérialise un questionnement autour de l'ornementation, la structure, les limites et le site d'implantation. Le pavillon s'érige hors de l'eau. Son aspect extérieur apparaît comme un complexe assemblage de lattes. C'est seulement en l'approcha ...
Towards the end of the 19th century travels were still marking a rite de passage in the education and self- development of architects’ idiom, especially for Norden countries. Albeit manifesting significant German influences, their condition of a seemingly ...