From the seventeenth century to the early part of the twentieth century, artistic production in France was controlled by artistic academies which organized official exhibitions called salons. In France, academies are institutions and learned societies which monitor, foster, critique and protect French cultural production.
Academies were more institutional and more concerned with criticism and analysis than those literary gatherings today called salons which were more focused on pleasurable discourse in society, although certain gatherings around such figures as Marguerite de Valois were close to the academic spirit.
Academies first began to appear in France in the Renaissance. In 1570 Jean-Antoine de Baïf created one devoted to music and poetry, the Académie de Poésie et de Musique, inspired by Italian models (such as the academy around Marsilio Ficino).
The first half of the seventeenth century saw a phenomenal growth in private learned academies, organized around a half-dozen or a dozen individuals meeting regularly. By the middle of the century, the number of private academies decreased as academies gradually came under government control, sponsorships and patronage.
The first private academy to become "official" and to this day the most prestigious of governmental academies is the Académie Française ("French Academy"), founded in 1634 by Cardinal Richelieu. It is concerned with the French language. In the fine arts, the Académie de Peinture et de Sculpture ("Academy of Painting and Sculpture") was founded by Cardinal Mazarin in 1648 and was soon followed by a number of other officially instituted academies: the Académie Royale de Danse ("Royal Academy of Dance") in 1661; the Académie Royale des Inscriptions et Médailles ("Royal Academy of Inscriptions and Medals") in 1663 [renamed the Académie Royale des Inscriptions et Belles-lettres ("Royal Academy of Inscriptions and Literature" or "Royal Academy of Humanities") in 1716]; the Académie Royale des Sciences ("Royal Academy of Sciences") in 1666; the Académie d'Opéra ("Academy of Opera") in 1669 [renamed the Académie Royale de Musique ("Royal Academy of Music") in 1672 and the Académie de Musique in 1791]; and the Académie Royale d'Architecture ("Royal Academy of Architecture") founded by Jean-Baptiste Colbert in 1671.
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A salon is a gathering of people held by a host. These gatherings often consciously followed Horace's definition of the aims of poetry, "either to please or to educate" (Latin: aut delectare aut prodesse). Salons in the tradition of the French literary and philosophical movements of the 17th and 18th centuries are still being carried on today. The salon first appeared in Italy in the 16th century, then flourished in France throughout the 17th and 18th centuries. It continued to flourish in Italy throughout the 19th century.
[[File:Rixens jour de vernissage.jpg|thumb|right|300px|Formally dressed patrons at the Salon in 1890. 'Un Jour de vernissage au palais des Champs-Élysées by Jean-André Rixens featuring Tigresse apportant un paon à ses petits by Auguste Cain.]] The Salon (Salon), or rarely Paris Salon (French: Salon de Paris salɔ̃ də paʁi), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world.
The Salon des Refusés, French for "exhibition of rejects" (salɔ̃ dɜ ʁəfyze), is generally known as an exhibition of works rejected by the jury of the official Paris Salon, but the term is most famously used to refer to the Salon des Refusés of 1863. Today, by extension, salon des refusés refers to any exhibition of works rejected from a juried art show. The Paris Salon, sponsored by the French government and the Academy of Fine Arts, took place annually, and was a showcase of the best academic art.
Un scénario urbain pour le Nord de Bâle propose la formation d'une nouvelle centralité trinationale. En complément du centre-ville d'aujourd'hui, la nouvelle centralité engage un développement vers une ville polycentrique, interconnectée par des systèmes d ...