Thai folklore is a diverse set of mythology and traditional beliefs held by the Thai people. Most Thai folklore has a regional background for it originated in rural Thailand. With the passing of time, and through the influence of the media, large parts of Thai folklore have become interwoven with the wider popular Thai culture.
Phraya Anuman Rajadhon (1888–1969) was the first Thai scholar to seriously study local folkloristics. He took copious notes on humble details of his culture such as the charms used by Thai shopkeepers to attract customers. He also studied in depth the oral literature related to different village spirits and ghosts of Thai lore.
Religion in Thailand and Tai folk religion
The core of Thai folklore is rooted in folk religion. Until they were recorded, folk beliefs were handed down from one generation to the next.
Village shamans are known as , a word that has its origin in Brahmin, from a general and vague historical Vedic background. The conducts exorcisms and performs marriages, among other ceremonies.
Another important figure in Thai folk religion is the mo phi (หมอผี) or shaman who would also conduct rituals. To invoke spirits of the dead, four sticks are planted at equal distance from each other on the ground near the burial or cremation place. A thread is tied around the sticks forming a protective square and a mat is spread in the middle, where the mo phi sits down. In front of him, outside of the square there is a mo khao terracotta jar with a yantra painted on the outside containing the ashes or bones of the dead person. Beside the jar there is also a plate of rice as an offering and a stick or switch to keep the spirits at bay.
In order to be protected against bad luck, charms and amulets for bringing luck or for protection are popular in Thailand. Some of these are tied around the body or worn as a necklace, while others come in the form of yantra tattooing. The yantra endows the wearer with supernatural protection, love, health, and wealth.
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In mythology and folklore, a vengeful ghost or vengeful spirit is said to be the spirit of a dead person who returns from the afterlife to seek revenge for a cruel, unnatural or unjust death. In certain cultures where funeral and burial or cremation ceremonies are important, such vengeful spirits may also be considered as unhappy ghosts of individuals who have not been given a proper funeral. The concept of a vengeful ghost seeking retribution for harm that it endured as a living person goes back to ancient times and is part of many cultures.
The cinema of Thailand dates back to the early days of filmmaking, when King Chulalongkorn's 1897 visit to Bern, Switzerland was recorded by François-Henri Lavancy-Clarke. The film was then brought to Bangkok, where it was exhibited. This sparked more interest in film by the Thai Royal Family and local businessmen, who brought in filmmaking equipment and started to exhibit foreign films. By the 1920s, a local film industry was started and in the 1930s, the Thai film industry had its first "golden age", with a number of studios producing films.
The Krasue (กระสือ, krā.sɯ̌ː) is a nocturnal female spirit of Southeast Asian folklore. It manifests as the floating, disembodied head of a woman, usually young and beautiful, with her internal organs still attached and trailing down from the neck. The Krasue belongs to a constellation of similar mythological entities across different regions of Southeast Asia; these regional variations all share in common that they are characterized by a disembodied woman's head with organs and entrails hanging from its neck.