Thai folklore is a diverse set of mythology and traditional beliefs held by the Thai people. Most Thai folklore has a regional background for it originated in rural Thailand. With the passing of time, and through the influence of the media, large parts of Thai folklore have become interwoven with the wider popular Thai culture.
Phraya Anuman Rajadhon (1888–1969) was the first Thai scholar to seriously study local folkloristics. He took copious notes on humble details of his culture such as the charms used by Thai shopkeepers to attract customers. He also studied in depth the oral literature related to different village spirits and ghosts of Thai lore.
Religion in Thailand and Tai folk religion
The core of Thai folklore is rooted in folk religion. Until they were recorded, folk beliefs were handed down from one generation to the next.
Village shamans are known as , a word that has its origin in Brahmin, from a general and vague historical Vedic background. The conducts exorcisms and performs marriages, among other ceremonies.
Another important figure in Thai folk religion is the mo phi (หมอผี) or shaman who would also conduct rituals. To invoke spirits of the dead, four sticks are planted at equal distance from each other on the ground near the burial or cremation place. A thread is tied around the sticks forming a protective square and a mat is spread in the middle, where the mo phi sits down. In front of him, outside of the square there is a mo khao terracotta jar with a yantra painted on the outside containing the ashes or bones of the dead person. Beside the jar there is also a plate of rice as an offering and a stick or switch to keep the spirits at bay.
In order to be protected against bad luck, charms and amulets for bringing luck or for protection are popular in Thailand. Some of these are tied around the body or worn as a necklace, while others come in the form of yantra tattooing. The yantra endows the wearer with supernatural protection, love, health, and wealth.
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vignette|L'esprit du prêtre vengeur Raigō retourne sous forme d'une invasion de rats et détruit le temple Mii. Tsukioka Yoshitoshi 1891 vignette|Comme un mari passe par l'endroit où sa femme enceinte a été sauvagement assassinée, son fantôme apparaît et lui remet leur enfant. Elle lui raconte alors l'histoire de l'assassinat et l'aide comme il se venge de sa mort. Utagawa Kuniyoshi 1845 Dans la mythologie et le folklore, un esprit vengeur ou esprit de vengeance est l'esprit d'une personne morte qui revient de l'après-vie pour chercher vengeance pour un traitement cruel, contre nature ou une mort injuste.
right L'histoire du cinéma thaïlandais commence avec les prémices du cinéma, quand la visite à Berne du Roi Chulalongkorn est immortalisée sur pellicule par Francois-Henri Lavancy-Clarke en 1897. Le film a ensuite été emporté à Bangkok, pour y être projeté, soulevant l'intérêt de la famille royale, mais aussi d'entrepreneurs locaux qui décident rapidement d'importer du matériel cinématographique. Ce sont d'abord des projections de films étrangers, puis dès les années 1920, une industrie locale se développe.
The Krasue (กระสือ, krā.sɯ̌ː) is a nocturnal female spirit of Southeast Asian folklore. It manifests as the floating, disembodied head of a woman, usually young and beautiful, with her internal organs still attached and trailing down from the neck. The Krasue belongs to a constellation of similar mythological entities across different regions of Southeast Asia; these regional variations all share in common that they are characterized by a disembodied woman's head with organs and entrails hanging from its neck.