Parsifal (WWV 111) is a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is freely based on the 13th-century Middle High German chivalric romance Parzival of the Minnesänger Wolfram von Eschenbach and the Old French chivalric romance Perceval ou le Conte du Graal by the 12th-century trouvère Chrétien de Troyes, recounting different accounts of the story of the Arthurian knight Parzival (Percival) and his spiritual quest for the Holy Grail.
Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his newly built Bayreuth Festspielhaus. Parsifal was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on Parsifal productions until 1903, when the opera was performed at the Metropolitan Opera in New York.
Wagner described Parsifal not as an opera, but as Ein Bühnenweihfestspiel (a sacred festival stage play). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the first act.
Wagner's spelling of Parsifal instead of the Parzival he had used up to 1877 was informed by one of the theories about the name Percival, according to which it is of Persian origin, Parsi (or Parseh) Fal meaning "pure (or poor) fool".
The autograph manuscript of the work is preserved in the Richard Wagner Foundation.
Wagner read von Eschenbach's poem Parzival while taking the waters at Marienbad in 1845. After encountering Arthur Schopenhauer's writings in 1854, Wagner became interested in Indian philosophies, especially Buddhism. Out of this interest came Die Sieger (The Victors, 1856), a sketch Wagner wrote for an opera based on a story from the life of Buddha. The themes of self-renunciation, rebirth, compassion, and even exclusive social groups (castes in Die Sieger, the knights of the Grail in Parsifal) which were later explored in Parsifal were first introduced in Die Sieger.
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Lohengrin, WWV 75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the Parzival of Wolfram von Eschenbach, and its sequel Lohengrin, itself inspired by the epic of Garin le Loherain. It is part of the Knight of the Swan legend. The opera has inspired other works of art. King Ludwig II of Bavaria named his castle Neuschwanstein Castle after the Swan Knight.
Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orchestration is the assignment of different instruments to play the different parts (e.g., melody, bassline, etc.) of a musical work. For example, a work for solo piano could be adapted and orchestrated so that an orchestra could perform the piece, or a concert band piece could be orchestrated for a symphony orchestra.
A leitmotif or leitmotiv (ˌlaɪtmoʊˈtiːf) is a "short, recurring musical phrase" associated with a particular person, place, or idea. It is closely related to the musical concepts of idée fixe or motto-theme. The spelling leitmotif is an anglicization of the German Leitmotiv (ˈlaɪtmoˌtiːf), literally meaning "leading motif", or "guiding motif". A musical motif has been defined as a "short musical idea ...