Gaucho | EPFL Graph Search

A gaucho (ˈɡawtʃo) or gaúcho (ɡaˈuʃu) is a skilled horseman, reputed to be brave and unruly. The figure of the gaucho is a folk symbol of Argentina, Uruguay, Rio Grande do Sul in Brazil, southern part of Bolivia and the south of Chilean Patagonia. Gauchos became greatly admired and renowned in legend, folklore, and literature and became an important part of their regional cultural tradition. Beginning late in the 19th century, after the heyday of the gauchos, they were celebrated by South American writers. The gaucho in some respects resembled members of other nineteenth century rural, horse-based cultures such as the North American cowboy (vaquero in Spanish), huaso of Central Chile, the Peruvian chalan or morochuco, the Venezuelan and Colombian llanero, the Ecuadorian chagra, the Hawaiian paniolo, the Mexican charro, and the Portuguese campino. According to the Diccionario de la lengua española, in its historical sense a gaucho was a "mestizo who, in the 18th and 19th centuries, inhabited Argentina, Uruguay, and Rio Grande do Sul in Brazil, and was a migratory horseman, and adept in cattle work". In Argentina and Uruguay today, gaucho can refer to any "country person, experienced in traditional livestock farming". Because historical gauchos were reputed to be brave, if unruly, the word is also applied metaphorically to mean "noble, brave and generous", but also "one who is skillful in subtle tricks, crafty". In Portuguese the word gaúcho means "an inhabitant of the plains of Rio Grande do Sul or the Pampas of Argentina of European and indigenous American descent who devotes himself to lassoing and raising cattle and horses"; gaúcho has also acquired a metonymic signification in Brazil, meaning anyone, even an urban dweller, who is a citizen of the State of Rio Grande do Sul. Many explanations have been proposed, but no-one really knows how the word "gaucho" originated. Already in 1933 an author counted 36 different theories; more recently, over fifty.

La simulation humaine : le roman-fleuve comme terrain d'expérimentation narrative

Frédéric Kaplan, Cyril Antoine Michel Bornet

Dans cet article nous présentons la démarche et les premiers résultats d’une recherche participative menée conjointement par le laboratoire d’humanités digitales de l’EPFL (DHLAB) et l’écrivain suisse Daniel de Roulet. Dans cette étude, nous explorons les façons dont la lecture numérique est susceptible d’influencer la façon d’écrire et de réorganiser des récits complexes, de type roman-fleuve ou saga. Nous exposons également nos premières conclusions ainsi que les possibles travaux futures, dans ce domaine très vaste et peu étudié à ce jour.

2014