Concept

Cinema of Thailand

Summary
The cinema of Thailand dates back to the early days of filmmaking, when King Chulalongkorn's 1897 visit to Bern, Switzerland was recorded by François-Henri Lavancy-Clarke. The film was then brought to Bangkok, where it was exhibited. This sparked more interest in film by the Thai Royal Family and local businessmen, who brought in filmmaking equipment and started to exhibit foreign films. By the 1920s, a local film industry was started and in the 1930s, the Thai film industry had its first "golden age", with a number of studios producing films. The years after the Second World War saw a resurgence of the industry, which used 16 mm film to produce hundreds of films, many of them hard-driving action films. The most notable action filmmaker in the 1970s was Chalong Pakdivijit. Known internationally as P. Chalong or Philip Chalong, Chalong became the first Thai director who could successfully break into the international market and made a profit with his 1973 action-packed film called 'GOLD'(S.T.A.B.). Competition from Hollywood brought the Thai industry to a low point in the 1980s and 1990s, but by the end of the 1990s, Thailand had its "new wave", with such directors as Nonzee Nimibutr, Pen-Ek Ratanaruang and Apichatpong Weerasethakul, as well as action hero Tony Jaa, being celebrated at film festivals around the world. Auguste and Louis Lumière had a film exhibition that toured in Southeast Asia in 1894, and on 9 June 1897, "the wonderful Parisian cinematograph" was screened in Bangkok, and is the first known film screening in Thailand. That same year, the film of the visit to Europe by King Chulalongkorn was brought back to Thailand, along with camera equipment acquired by the king's brother, Prince Thongthaem Sambassatra. (พระองค์เจ้าทองแถมถวัลยวงศ์ กรมหลวงสรรพสาตรศุภกิจ) The prince, considered "the father of Thai cinema", made many films and his work was shown commercially. Japanese businessmen opened the first permanent cinema, the Japanese Cinematograph, in 1905.
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