Concept

Hittite art

Summary
Hittite art was produced by the Hittite civilization in ancient Anatolia, in modern-day Turkey, and also stretching into Syria during the second millennium BCE from the nineteenth century up until the twelfth century BCE. This period falls under the Anatolian Bronze Age. It is characterized by a long tradition of canonized images and motifs rearranged, while still being recognizable, by artists to convey meaning to a largely illiterate population. “Owing to the limited vocabulary of figural types [and motifs], invention for the Hittite artist usually was a matter of combining and manipulating the units to form more complex compositions"Many of these recurring images revolve around the depiction of Hittite deities and ritual practices. There is also a prevalence of hunting scenes in Hittite relief and representational animal forms. Much of the art comes from settlements like Alaca Höyük, or the Hittite capital of Hattusa near modern-day Boğazkale. Scholars have difficulty dating a large portion of Hittite art, citing the fact that there is a lack of inscription and much of the found material, especially from burial sites, was moved from its original locations and distributed among museums during the nineteenth century. However, larger period groupings have been established by some, including the Colony Age, the Hittite Old Kingdom era, the Hittite New Kingdom era, and the period of Post-Hittite states. Historians refer to the period around the nineteenth and eighteenth centuries B.C.E. as the Colony Age, before a larger Hittite Kingdom was established in the region. Groups in settlements of this period included Hattians, Hurrians, and Assyrians living in trading colonies, which the Hittites took control of when they moved into the area. The art style of this time involved assimilation of previous Anatolian symbols and sensibilities. Before this period and during the third millennium, art in ancient Anatolia consisted of rather flat representations of human figures found at burial sites.
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