Yazılıkaya, Eskişehir, also called Midas City, is a village with Phrygian ruins.
Yazılıkaya (Inscribed rock) was a sanctuary of Hattusa, the capital city of the Hittite Empire, today in the Çorum Province, Turkey. Rock reliefs are a prominent aspect of Hittite art, and these are generally regarded as the most important group.
This was a holy site for the Hittites, located within walking distance of the gates of the city of Hattusa. It had two main chambers formed inside a group of rock outcrops. Access to the roofless chambers were controlled by gateway and building structures built right in front of them, however only the foundations of those structures survived today. Most impressive today are the rock reliefs of Chambers A and B portraying the gods of the Hittite pantheon. One of the uses of the sanctuary may have involved the New Year's celebrations ceremonies. A 2019 journal article by Rita Gautschy and Eberhard Zangger suggested that the place may have served as a time-keeping device, with the carvings serving as markers for lunar and solar movement. It was in use at least since late 16th century BCE, but most of the rock carvings date to the reign of the Hittite kings Tudhaliya IV and Suppiluliuma II in the late 13th century BCE, when the site underwent a significant restoration.
The most impressive is Chamber A, which contains rock-cut relief of 64 deities in procession. The left wall shows a procession of male deities, wearing the traditional kilts, pointed shoes and horned hats. Mountain gods are also shown with scaled skirts to symbolise the rocky mountains. The right wall shows a procession of female deities wearing crowns and long skirts. The only exception to this divide is the goddess of love and war, Shaushka (Mesopotamian goddess Ishtar/Inanna) who is shown on the male procession with two female attendants. This is likely to be because of her male attributes as the goddess of war. The processions lead to a central scene of the supreme couple of the pantheon: the storm-god Teshub and the sun-goddess Hebat.
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Šauška (Shaushka), also called Šauša or Šawuška, was the highest ranked goddess in the Hurrian pantheon. She was associated with love and war, as well as with incantations and by extension with healing. While she was usually referred to as a goddess and with feminine titles, such as allai (Hurrian: "lady"), references to masculine Šauška are also known. The Hurrians associated her with Nineveh, but she was also worshiped in many other centers associated with this culture, from Anatolian cities in Kizzuwatna, through Alalakh and Ugarit in Syria, to Nuzi and Ulamme in northeastern Mesopotamia.
Hittite mythology and Hittite religion were the religious beliefs and practices of the Hittites, who created an empire centered in what is now Turkey from 1600–1180 BC. Most of the narratives embodying Hittite mythology are lost, and the elements that would give a balanced view of Hittite religion are lacking among the tablets recovered at the Hittite capital Hattusa and other Hittite sites. Thus, "there are no canonical scriptures, no theological disquisitions or discourses, no aids to private devotion".
Hittite art was produced by the Hittite civilization in ancient Anatolia, in modern-day Turkey, and also stretching into Syria during the second millennium BCE from the nineteenth century up until the twelfth century BCE. This period falls under the Anatolian Bronze Age. It is characterized by a long tradition of canonized images and motifs rearranged, while still being recognizable, by artists to convey meaning to a largely illiterate population.