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Plainsong or plainchant (calque from the French plain-chant; cantus planus) is a body of chants used in the liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of Christian church music until the ninth century, and the introduction of polyphony. The monophonic chants of plainsong have a non-metric rhythm. Their rhythms are generally freer than the metered rhythm of later Western music, and they are sung without musical accompaniment. There are three types of chant melodies that plainsongs fall into: syllabic, neumatic, and melismatic. The free flowing melismatic melody form of plainsong is still heard in Middle Eastern music being performed today. Although the Catholic Church (both its Eastern and Western halves) and the Eastern Orthodox churches did not split until long after the origin of plainsong, Byzantine chants are generally not classified as plainsong. Plainsong developed during the earliest centuries of Christianity, influenced possibly by the music of the Jewish synagogue and certainly by the Greek modal system. It has its own system of notation. As the number of chants in the church's repertoire increased, officials needed a better way to standardize the music. A unique form of musical notation was developed to help standardize the music and provide a reference for the performers and audience alike. The musical notations that were used were called neumes, and they are employed on a four-line staff, unlike the five-line staff we are accustomed to today. The neumes are placed above the chant's words to help the performer identify the piece's melody but did not specify the pitches or intervals that needed to be sung. Even though there were written musical manuscripts, the performers still needed to memorize the chants through oral traditions before interpreting the notation. It was not until the eleventh century that musical pitches were being integrated into written music.

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Gregorian chant

Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of the Old Roman chant and Gallican chant.

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Polyphony

Polyphony (pəˈlɪfəni ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice (monophony) or a texture with one dominant melodic voice accompanied by chords (homophony). Within the context of the Western musical tradition, the term polyphony is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal.

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